Photo: John B. Johnson/Hob
One of the evil tricks Documentary films Nothing about their transformed cousin, Reality It is the ease of making us forget their primary pillar and invest in people who accept it as a naturally live, although what they do happens in front of the camera. This does not mean that the truth cannot be achieved, but part of the genius of Nathan Wilder is how he plays compulsory with the reality of the reality he publishes. This season, he poured HBO fund San Jose Apartment around 2011But interactions within these environments are often by the actors that have been trained.Vein“It is clear and strange. However, he knows, despite all this nonsense, that we will buy in sub -plans such as a shy pilot named Colin trying to contact love with an actress that his interest in itself may be performance.
Tonight episode of rehearsal Do not go far on the tip Last oneAnd it is not slight against it, because the Redwood forest does not contain long enough to accommodate a diaper player who behaves as a “Sully” Sullenberger, and plays breast milk from a giant doll nipple. But he continues to add wonderful new layers of the frightening “reality”, which places itself in the middle like the world still thinks about the results of the experience, although it continues to set fire to the laboratory. It is not as if his basic hypothesis about the safety of airlines is misleading or his visions of performance is not really deep at times. It only takes the fun comic position of the Deadpan resonance manager from the Surrey Serial Serce.
The episode does not get more entertaining than the opening, which pays Fielder’s obligations to the contestants Wingsthe Canadian idol Reproduction, he was fully created as a way to ask his judges participating in the judges to tell people that they do not want to hear it. in The second episodeThe singers have promised the test that they will appear on national television, not in a singing show, but “singing competition as part of last A television program that has nothing to do with singing. Thus, with the operation of the fog machine in the Houston Airport Group, the remaining fifty performs a variety of public hymn for the public field through various types of species such as evil pop, techno, and the favorite dull, still filled with shades. He lives in this process.
One of his recently focused style is isolation, loneliness and pressure on the pilots who brought his experience. The idea that the pilots may risk their flight licenses by searching for a processor that is so ridiculous that he threw actors as a fake crew to interact with his experimental rule between taking. (“I just want to be evident in the case of watching FAA: This is not a cure in any way. This is only two people talking.”) He leads him to Colin, which is not renewable if he could not go to an air freight company, as I cannot be able to do so, “I could not hear between our boom operator,” as if it could have been what he could imagine. With Kullen as a test case, Fields begins on a long journey from a ring to make him a friend-or some strange approximation of a friend, in any case-to build a kind of personal relationship that pilots need to communicate more effectively in the cockpit. Or something like that.
Since Colin has low confidence, Fielder comes first with the idea of the human version of a “package”, which in the wilderness “gives every individual animal confidence to do things that they usually do not do alone.” Nothing comes a lot from the Colin package in terms of actual insight-because the action of fishing is not the same as a successful history of coffee, even in the form of rehearsal-but it provides the absurdity of dozens of actors or so wearing clothes like Colin completely and echoes the patterns of his embarrassing and a half. It also leads to the next step, which you find someone who loves him.
Emma, also known as “Jennifer Kissme”, which is the most promising from a handful of actresses who claim to be in Colin, has anything that has a ready -made nonsense player for the camera. (Another candidate was commented on the idea of Colin as a kind of exciting Albert Einstein, claiming that he was “wet and enjoyable” while reading Einstein’s biography.) Emma and Colin are talking about different travel destinations and going on a history outside the camera that ends in numbness, if it is not with any offer of physical affection. To see this barrier, the episode increases the absurdity again: training five representatives for each of them to study Colin and Emma and get to know their location in their relationship, then made them Velder associated and interact on five separate true copies of the Colin Studio apartment. In this way, Cullen can see different examples of how his romance develops with Emma.
Hence, “Kissme” strikes his greatest idea, which is the freedom that actors enjoy when playing a role. When Coleen faces the real and Emma, a problem in getting further from a clinical hug after Putt, some of the prosecution couples increased the levels of intimate relationship with a speed to pick up breath. He is especially fascinated by an actress with a real friend, but he can enter into a personality enough to feel something like love in a fictional scenario. Think about his own experience in behavior for Emma Stone in CurseWilder is affected, “I did not understand how the actor could feel love in a completely fake relationship.” Maybe not just a good actor. Or maybe approaching the situation Love The actor will allow you to play the part.
Therefore, we are getting a scene in which Colin and Emma are filmed as a leader of Powers and Jennifer Kismi, given the direction of the simple theater, who “has no problem asking for a kiss and does so” and that Jennifer Kissmi will rise to her name. Although reaching this kiss is a painful ordeal, as a small talk occurs about the strange drums and Portuguese red wine, Beck happens to the cheek, and the two get what they tell in particular the player they want. Its conclusion is that “we may all need an excuse to be our true ourselves, and we are just looking for permission.” The amount of Colin and Emma’s performance can be a model for how the participating spectrums speak to their leaders is an open question. But if rehearsal It is also just a presentation of human relationships and how we can communicate better, perhaps something.
• Perhaps the future will present a brilliant pulse indicating that the traditional race starts from the Kullen text, which has not been answered to a woman about the travel tips for Greenland and Iceland.
• The actress shoots her with Colin: “You know that you remind me of Einstein. You have some sexual activity reserved for you.”
• No one does not crawl into your comedy chair like Nathan Felder. The scene that Al -Ain considers as a signal that a woman sends to get her kissing delicious to see her.
• Talking about embarrassment, what about Velder’s invitation to actresses to watch them as they wither their partners on the screen? (“It is a beautiful talented, huh?” “Yes, see it.”)
