Cannes 2025: Jennifer Lawrence, Kristen Stewart take risks

It was, France – In the premiere of the new Spike Lee, “Top 2”, a woman was pressed in my characteristic, which she sighed to hold by a red rug in a flowing dress. “A dog banned him in a dress!” She said with Huff. The dog attended, Velicity, as an animal rights activist representing the UK group called Notodogmeat. However, Velicity had outperformed the center of interest that night, Lee, who occupied the court in Kotor, which is titled Nix, a blue and orange zot suit with Fedora’s match and a look.
“The highest 2 minimum”, redemption of the crime drama in Akira Korosawa of 1963, “High and Low”, the Denzel Washington star as the executive director of the wealthy in the records that were pressured by $ 17.5 million by the kidnappers who claim to have taken his son. While Washington was his way to The Grand Théâtre Lumière, he seemed confused with pleasure when he caught the attention of a photographer by waving the bright quartz stone on it. A few minutes later, the actor was doubled and surprised when director Thierry Frémaux announced that he got a sparkling object: a sudden, Bali or, along with the montage that extends to the job that belongs to Washington’s first role in 1981, “the carbon version”.
“It is a very special day,” said Frimox on stage. “Because what is, the thirtieth anniversary of” Do you do the right thing? “Or 40?”
I had his hands around his mouth. “36!” He shouted.
Yes, let’s be accurate. “Do the right thing” appeared in this particular theater 36 years ago – perhaps until now. In the 1989 Cannes Festival, I believed that he had a good shot to win in Palme d’or. He lost to Stephen Sodberg “sex, lies and video version.” The legend says that the president of the jury, Wim Wimdars, refused to give “the right thing” anything, on the pretext that the act of destroying me at the height of the burning movie was not heroic. He told me that he had Lyzville Sligura bearing the name Winsrez on him.
Timing is everything. Not only for “do the right thing”, which today is a masterpiece that cannot be, or me, or for me, who reminded the crowd was the birthday of Malcolm X hundred. The timing is important for every bold artist. Bold Word works with such a wall can so much that it takes a rhythm to measure its permanent effect, to know which group of copper joints that left a sign: love or hatred?
The Risk Festival Festival festival on division films bears great fluctuations. Last year’s festival launched the best Oscar “Anura”, “Emilia Perez” and “Article”. I just love One of themBut each of them gave us a lot to argue around him. This year, I was a magician to meet a critic who said she had hated three films so far, and each title was called my favorites. She asked her to tell me if she coincides with anything else she hates. I would like to see it.
Jennifer Lawrence in the movie “Die, My Love”.
(De Cannes)
next to Aryster“Eddington” (dug, despised), the most polarized movie at the Cannes 2025 festival turns into it to be Lin Ramsay“Dies, my love,” who plays the role of Jennifer Lawrence and Robert Pattinson as new fathers who do not intend to challenge. Lawrence has a showier collapse. Grace, who was uprooted in New Yorker, Grace suffers from postpartum depression that makes her feel like a bleak. She behaves to prove that she is alive, which is often translated here as a need for inflation.
Mubi, the distributor that tends to flawless taste, bought “Die My Love” for a $ 24 million eyebrow. I could not bear the movie, but buying it is logical because Lawrence throws herself in a kind of harmful performance that is receiving awards, especially after Moby learned last year because it is the “The Mortance” DEI Moore throughout the way to the Academy Awards.
Among the two threads, I preferred to give a prize for Batinson, who carries a more pathetic role for the amazing husband, who is in conformity with Jackson, ignorant, trying to rejoice in Grace and their child crying by bringing him to the home a equal dog. With an apology to Velicity, the movie Mutt for the movie is so uncomfortable that you cannot wait for an inevitable moment when it disappears from the story.

Harry Milling, left, and Alexander Skarsgard in the movie “Pilon”.
(De Cannes)
The best sad romance is in “Bilon”, and it is an attempt between the interest between the maid of the scale counter (Harry Miling) and the motorcycle passenger (Alexander Skarsgard) who runs with a gang where every man who is muscular has a friend who has a friend in his leadership. “I hope this will make some of you a little cornea,” said his director Harry Lighton. He certainly left the audience tickled, especially at a glimmer in the eyes of melling as it licks Skarsgård leather shoes.
“Pilon” is not a ruling, but he also does not expect me Melling about everything that his partner asks to do. It comes to finding one’s boundaries. It is also funny, especially with the British parents of (Lesley Sharp and Douglas Hodge) who admit that a special person for their handsome son is handsome, although they insist that both boys wear helmets when they speed up.
Most of the main titles are now shown. Although I am not nostalgia for home, I believe that the only good part of “Nizak” Hubert Chairwell, an addictive friend, was when I wore the Lakers wine shirt character. In 11 days I was here, some topics appeared. Whatever you do, do not provoke the roses every time a dog (three times) dies or whenever someone calls heroin or reminds God (more than that). It will be suspended by the back.

POOTS IMOGEN in the movie “Water Setter”, directed by Christine Stewart.
(De Cannes)
The first appearance of “The Charronology of Water” is an affected poet who can keep pace with this drinking game. IMOGEN POOTS is very good like Lidia, which is the self -destructive blossom, which, throughout the movie, is moved from 17 years old to middle age, a period of time that is often lost. Stewart made a guaranteed chaos: a soft lyric movie, sometimes lyric can stand with a bucket of ice water.
At least, there is no denial that Stewart has an artistic conviction. This is more than he can say about many other projects that revolve around the main selection of the festival. After the show, I wandered on the basement to the coinciding market for the festival, Marché Du, where sales rights are negotiated and we hope to obtain budgets, and the producers saw the recently transferred classic IP to the public domain. One of the studios was the “Bambi: The Reckonging” and “Pohniverse: Monsters Assemble” and “Pinocchio Unsrung”, which disturbed the description line, “There is nothing that hinders it.” Who knows, maybe they will be great?
The movie “Alpha” by Julia Dukorno was the movie “Alpha” by Julia Ducurno. In 2021, the French catalyst won the title “Titane”, a piece of automatic killers full of cars that are operating by cars. Ducounau launched her career here in 2016 with the upcoming Cannibal Gory Gory. (Ruw with her famous show in the middle of the night at the Toronto International Film Festival, where many people collapsed that someone was named an ambulance.)

Evert in your color in the movie “Plague”.
(De Cannes)
Before I was able to watch “Alpha”, the movie “The Plague”, which is a strong film about the body about the fatwas in a water summer camp, which was surprising by telling someone like Ducournau for children. For my amazement, the “plague” and “Alpha” turned into the exact participation of the same scene: a 13 -year -old socialist beating in a swimming pool and bleeding in the water. I may be less than just “RAW” 101, or perhaps Ducournau declined.
Alpha, a foggy science fiction drama, is a little girl (Melissa Borus), who may have herself in an infection whose name has not been revealed to marble. Her mother (Golshifteh Farahani, the Great) is a hospital doctor where the family is filled with victims whose faces stumble in horrific commercial operations. Imagine plague from pietàs. “Alpha” is an oval -shaped and bored between the teenager’s story and the mother’s basis to save her child and her poisonous brother (Taher Rahim), an attractive addict, charismatic.
The story of the brothers is only interesting. Rahim has a kind of ribs and prominent veins made for statues. He lives as if he does not intend to grow up and when he coughs, we see a suspicious puff from dust. I think Ducounau wants us to ask whether we can love someone who agrees to allow him to die. But it has difficulty reaching this point. Heavy violin does a lot of conversation.

Melissa Borus in the movie “Alpha”.
(De Cannes)
Ultimately, as well as the result of “the highest 2 minimum”. Washington is good because the music pole weighs if a high ransom will be paid – no one is incorrectly improving – however the scenes of his crisis are very full through the tendons and guitars that you cannot hear his personality that is thinking. I strongly wanted to watch the movie on Kutam. But French translations were great. (When Jeffrey Wright, who plays the role of Washington driver, “Easy B”, said, “Cool ABDUL”.
The second half of the movie is simpler and stronger, with a great support by Asap Rocky as a young singer named Yung Flon. Once it is clear that I was not interested in Kurosawa’s topics of inequality and despair – that this is the story of redemption by any necessary means – I have finished admiring it simply because I have a loud voice about what he loves (and hates). The title comes above the blue sky in the orange line and continues to insult Celkus as much as possible. (If the Knicks ends against Oklahoma City Thunder in the American Professional League finals, the music braid will regret this that the explosion of “Oh, what a beautiful Morinin” from Rodgers and “Oklahoma!”
Have you seen my competitors Oscar for this year? i don’t think so. But I saw a lot of directors who present the movie exactly who were goodly cursing. This alone deserves to be made for me like me and blocks my hand around my mouth to get excited screaming.