Between 2000 and 2006, nine men were killed, all of almost Turkish origin, via Germany, who shot a česká cz 83 pistol. Among the victims was Qaflal, the flower seller, and two vegetables. The twenty-five-year-old Mehmet Turgut was shot while opening a friend’s Döner-Kbab store. Asmaeel Yassar, who was fifty years old, had a position on Kabbaba, where his body was discovered. For some time, killings were indicated by the German press Dy dönermorde diesOr kebab murders. The police assumed that they had been carried out by the Turkish mafia, despite fears that these were hate crimes, and in challenging eyewitnesses who insisted that they saw people from whites fleeing the scene of the bicycle. When asked why the police did not call that bicycle passengers were the perpetrators, the former head of the Munich killing squad, Joseph Willing, was incredible: “Have you ever seen a bike on a bike?”
These background crimes are provided for the novel Aber’s Début, “Good girl“A coming story about a teenage girl who was born-the coldest herself in Germany for a couple of Afghan refugees. Extending it (or thus Erbar) is suggested that Germany reject its account completely with its fascist past, in which the roots of the feeling and the anti -immigrant policy are buried.
Nillab (Nella) Haddad, Erbr, has no illusions about the country of her birth. “I took my first steps after exactly three months of Rostuk riots, as the neo -Nazis gave the Molotov cocktails in asylum blocks,” she says. The elevator was marked in her apartment building with a sasteling cross graffiti. Despite the unending conditions, it managed to find a place for itself among a group of Berlin to a large adolescence and late twenties. Like Nila – the emerging photographer who draws a quotation from Goethe over her office – these children are sensitive and artistic, with lack of proud confidence in the prevailing German society. Unlike Nella, she is mostly white. Instead of risking their refusal, it hides its background by passing itself, in a different way, as Israeli, Israeli, Spanish, Italian, or Colombian. Her hope to infiltrate an environment, still, as a comprehensive culture may seem, sponsor a wide hostility towards immigrants – a hostility that resembles the largest Nila barrier in front of the artist’s life, or any kind of life at all.
“Good girl” is Bildungsroman, a novel about personal development or, if you like, grows up. Participate in unexpected and fun similarities with various classics of this type, including Goethe.Industrial disciple“On a young man with a group of circus artists, and Charlotte Bronte.”Jane Air“Such novels, is an across and widely emerging book, and it is filled with secondary characters, each of which contributes, in a small way, to the development of the main character. Likewise, it relates to the external stand he wants. Bildungsroman champion often begins as a sinner of a kind, which is a romantic condition that must be overcome. Pep (from”Great expectations)) A noble man and Harry Potter will become a processed. In assimilation, where the edges of the rough protagonist are softened through experience and are gaining an instinct for those who cannot be trusted, and who you should not like.
Bildungsroman takes the idea that a person must want to belong, even for a small family of the colleagues of the two -in -ways. Aber provides a completely contemporary development on this assumption through the question: What does it mean to want to belong to a society not only accept you, but may wish you harm? “You cannot trust anyone in this countryNella’s father says at some point. “Look at what they did with the Jews“All over the” Good Girl “, news about Dy dönermorde dies Confirmation of the interviewer on TV and radio, which confirms that the threat that Nella is facing is that Europe will swing or “prevented it” forcibly, as the Phelps Hack Fin family threatens, but it will leave it to death.
The poets of his first group, “Solid damage“In 2019, it came out, good with details, especially the fine details that seem necessary for literary realism. The world you give is completely achieved and equipped well, rich in complex and accurate description. The money allocated by Nella’s mother aside the“ Culture Fund ” – paid for piano lessons – is“ a shaver of bills among her nylon in a drawer. ”Nella’s father makes her tea with“ three saffron hair ” Vermelion “rests at the bottom” of the glass mug, a kind of mug in some way, every Afghan family owned, regardless of whether they raised the Mujahideen in Helmad or residing in the dowry property in Perth, Australia. “
Family life is a source of a strain of Lilla, who lives alone with her father. Her mother died when she was sixteen years old, and her father, who drowned in depression, could barely clean their apartment. When he talks to Nella, he usually wanders in the German sidewalk or violates it because of its escape. “My parents explain,” Women wanted to wear their hair, have political opinions and taste in music, and go to college, “but the rules are still the rules:” You had to be a Dokhtare KhubGood girl, so as not to turn to a Dokhtare kharabBroken girl, bad, destroyed. “The club is the Nella Reserve. With her friends, she spends a night after night in dance-and she deals with an amazing amount of drugs-in a place calling Nella to the warehouse, a gentle, blocked position of the legendary Bergin in Berlin. A picture of a justification for Berlin’s night life is one of the great pleasures Aber transmits it through lush and amazing images.
The single and contemplative poems – “Today, in the light of the lemon beside your grave, / Merrill’s recitation.” In “Good Girl”, her descriptions serve a fast -paced plot. Just a moment later, two floors, Den girl in Den, wearing clothes “poem[s] To Old Chanel, she looks at herself a Marxist Leninin, Nella announces “one of us”-a reference, as Neil notes, to the movie “Tod Browning” Freaks “(1932), about a group of side artists.” When I was thirteen or fourteen years of age, “I think Nella,” I was closing my eyes at night and imagining this exactly: not: not: not: not: not: not: not: not: not: not: not: not: not: not: not: not: not: not: not: not: not: not: not: not: not: not: not: not Nearly a bacterial bathroom booth in Digi Club, where it smells like sex and fecal materials, but a group of artists who accepted me. ”
What makes the “good girl” very strong as a novel for development or Bildungsroman is that she respects self -destruction as an effective tool for self -discovery. Nella thinks that she is emotionally fragile – she has once jumped from a window, and she tells us, in a seizure of pre -despair – but by exposing herself to a wide range of violations (drugs, harsh sex, and family violence), she learns to be more difficult than she feels. The worst decisions give her a sense, no matter how transient or simple, for being responsible for her life. More importantly, by following the path of the broken, bad and destructive girl, she becomes increasingly comfortable with the possibility of social rejection, with contempt by people who want to love him more. In a terrible scene, “Nike is a full blue” – a pill containing MDMA – “and wash[es] It is bottom with metallic cocktail. “Her nose begins to bleed swinging, but when she comes to confess, finally,” I am Afghani. “
The person who receives this confession is Marlowe Woods, Nella’s friend and the main tool for her self -destruction. Marlo, a thirty -six -year -old writer from North California, in Berlin, is named after an architectural study; His actual job is a drug dealer. Erbar makes us understand that Nilla sees Marlowe exactly what it is-the Balion and the two ways, which is a washed engine that takes the freedoms of the prince-and he fell very much for him, and he does not overlook his mistakes as allowing herself to be beaten by them, as if she was conducting a personal experience. How much can you take Nella, and for how long will it take it? One piece of self -knowledge struggling with Nella from this experience is that it is extensively exposed to the desire of others, perhaps because of its conviction that it is not beautiful. “It was different quality,” you think, when Marlo tells her how beautiful it is. “I have emerged as a darker thing, a maximum thing. Like vibrant hunger, like a voice he said I will do anything.”
Marlowe strikes NILA, and insists that it accommodates his desire to get the triple. (“Do not cry”, tells her. By choosing to stay with Marlowe, she acquires indirect strength on her suffering; the pain is no longer something that comes out of life for her but something she chooses, even if the consequences are ugly. There is a diagnostic term for a person who insists on taking out his inner pain through romance or other types of emotional performance. This term is “hysterical”, and if the patients are in Salpêtrière, with The exaggerated face deformities and attitudes were, in some oblique meaning, protesting the impossible conditions imposed on them by Fin-Siècle for femininity, then NILA parties throughout Europe in order to confirm its existence within its borders.
