CJ ENM Debuts AI Animation ‘Cat Biggie’ as Part of New AI Strategy

Korean entertainment power CJ Enm It is greatly betting on artificial intelligence, a comprehensive uniform reveals Amnesty International Content strategy along with the first show of the animated series that is fully created from artificial intelligence.Baiji catIn an industrial event in Seoul on Monday.
The company, which celebrates the thirtieth anniversary of its foundation this year, hosted the CJ Enm for 2025 entitled “K-CONTENT The Meets Ai: How to transform the technology of artificial intelligence in the future of the K-Content” in its Sangam Studio, where the executive managers detailed plans to revolutionize the creation of content through the royal AI technology.
“We apply artificial intelligence through the entire content value chain-including planning, production, distribution and marketing-to expand the production of artificial intelligence content across species and formats,” said CJ Enm, chief strategy official at CJ Enm. “This allows us to secure IP from the next generation.”
Oscar -winning “parasite” producer showed two main artificial intelligence systems currently in the progress of production work. Cinematic AI is designed for narrative content such as drama and movies, the merge of images, videos and sound smoothly into one system with the processing of letters and 3D automatically for consistent visual output-a major challenge in the video content created from artificial intelligence.
The company’s AI’s SCRIPT system works as an IP Amnesty International, and the analysis of demand for consumers and market trends to determine promising properties, suggest appropriate types and media formats. Unlike traditional artificial intelligence models from major technology companies, CJ Enm says it shows a superior understanding of the literary language to analyze deeper content marketing with multi -language capabilities.
“Cat Biggie”, a non -verbal animation series that was first shown in this event, is the first CJ Enm production completely of artificial intelligence. The series, which follows a cat, is unexpectedly consisting of a child’s chick, from 30 minutes of two-minute episodes produced by a team of six specialists only over five months-including content planning and personal development.
“The main challenge was to control and express dynamic movements in animation,” said Pike Hyun Jong, President of Ai Business and Production, who led the project. “We used Adwina, AI Film, to convert characters into 3D data and train the production system accordingly. This allowed us to achieve a high level of completion in the final output.”
The timetable represents a significant increase in efficiency, as CJ Enm notes that 3D model animation for 5 minutes requires three to four months of production time. “Cat Biggie” will be launched globally on YouTube in July.
Based on the first animation appearance, CJ Enm plans to expand in the movie AI and Ai Drama Productions during the year, as she placed itself as what SHIN called “AI AI” through the team’s expansion and development programs.
The company’s AI batch comes at a time when the entertainment industry is wrestling with both creative possibilities and organizational challenges of artificial intelligence. Sang-Hyeok IM, a Shin & Kim LLC partner, participated in discussing politics at this event, focusing on the need for “clear industry guidelines, legal frameworks for copyright and data protection, and government departments allocated to support this field.”
The CJ Enm entertainment department was a major force in the global expansion of Korean culture, as it produced famous content including “Queen of Tears”, the “Can See See See” chain of successful globally, and a prize -winning Tony like “Kinky Boots”. The company runs three main studios-drama-focused dragon studio, the fifth season in the United States, and CJ Eny Studios-alongside the Korean Broadcasting platform TVing.