“Do you believe,?” Jenny Lewis He asked, “This is our third offer in 17 years?”
She was wearing the same uniform that she was wearing in the first two-Polca-Dots, the socks of white ruffles, a bright crown floating on her head-Lewis on the stage on Saturday night with her band Reelo Kelly at a festival like heaven in Pasadina.
“It is really amazing to be here with all of you,” I told the mobilization of thousands spread across the lush lands surrounding the rose bowl. “But mostly,” she added, and she moved to her colleagues in the band, “It is surprising to be here You everyone.”
Jenny Lewis performs.
(Eric Thuir/for times)
One of the rock bands in Los Angeles specified in the last quarter of the century, formed Relelo Kelly in 1998-both Lewis, the group singer and other songwriter Blake Sinit, they were actors-and then spent the next decade to approach the big time with smart songs if there were bad decisions and Hollywood dream. However, as the band was preparing for the explosion, Rilo Kelly separated amid the creative and personal tensions between Louis and Sinit, who also participated romantically. Now, for the first time since 2008, the group – around which Pierre de Reader and Jason Bouasel – revolves around the rough roads again; Its reunification was launched last week with the vehicles in Saint -Luis Obebiso and Ugai and is scheduled to pass through the fall.
Timing is logical, given that over the decisive years Lewis has become something of the older sister of a generation or two smart young musicians who write about all the ways that the world can disappoint a woman in her twenties. (Think of Phoebe Bridges, Think of Haim, Think Olivia Rodrigo))
Then again, nostalgia is rarely required to justify itself, as it was completely clear. This annual exhibition is collected from the scene of the Southern California Festival since 2019, and it combines old warriors in early 2000 from independent rock music to restore the memories of an era before it flows and social media. Among the other works on the draft law this year Weekend vampireRadio TV, mass party, drums and Toro Y Moi.
Ezra Quinig of vampire weekends performs.
(Eric Thuir/for times)
Close to the end of the main headlines that were identified on Saturday, Vampire Weekend offered what Al-Azzfa Ezra Quinig “greeting to Eindy”-covers the incandescent covers from the period made by Phoenix, Impala Tarm, Beit Beach, Grizli and TV on the radio-in a hole, the band usually includes the public’s requests to the public like “like”. This was “two weeks” of Grizly Bear qualified because a classic was a fact that no one needed to persuade.
In fact, Lewis said that part of what led her to revive Rilo Kelly was the great success in the last reunification tour by the postal service, the side project of the electric pop that is and Death Cab for Cutie’s Bin Gibdard It was introduced in 2003, which was topped last year like the sky after selling it three nights earlier in Hollywood Paul.
However, if all this remembrance of remembrance has made easy choices for people in Pasadina, Relelo Kelly played more muscles and panaches than it was on Saturday in a group of an hour that offered the ingenuity of the impressive band.
Tunde Adebimpe works with TV on the radio.
(Eric Thuir/for times)
“The implementation of all things” and “with outstretched weapons” was fragile and park, while “The Moneymaker” rode a groove of spiritual spirit and “Dreamworld” caused a brilliant threat in the mid -seventies of the last century. Now as it was during the peak of the group, what raised the performance is Lewis’s skill as a scalp: The Torch-Song Melancholy, which I found in “Mee Meet”, about a woman who bets a lot on the relationship, and the romantic drama is completely soap “Does he love you?” Where two of the three parts are played in the governed love triangle. For the latter, he grabbed a video camera and toured the theater, and sent footage of her colleagues in the giant screen behind her – not only the Rilo Kiley show but also her director.
In Spotify, the largest song for the band is “Silver Silver”, from the final dark LP, “Under the Blacklight”, and here Lewis handed it over with the indifference of a spoil. But the real presidents know that the real Rilo Kiley should have been damaged, it was “parts for foxes” for the year 2004- “The conversation leads to touch / introduction to sex”, which makes the group have finished the song just like the sky.
While she was rolling out of the stage, Louis blew up a kiss to the crowd, then jumped again to the microphone, grabbed a style that left behind and took a sip through a straw.
Fans at the Sabbath Festival, such as the sky in Pasadina.
(Eric Thuir/for times)
