From ‘The Last of Us’ to ‘Handmaid’s Tale,’ angry women are centered

Two young women leave the safety of their community in a land with a monster with revenge purposes.

Against all kinds of objections, the survivors of rape and torture return to a fascist state in the hope of finding her daughter and toppling a bacilli government.

The cancer patient comes out of a suffocating marriage and controls the rest of her life through a battlefield in BDSM.

The silver -haired -hair is picked up the cold of those who steal its land from a window on the upper floor with a rifle as it is.

Perhaps women on the street are no longer walking in Pink Pussy caps, but it seems that the new TV ambition model does not suffer from no more

In different offers “Story of maids” and “Death for sex”, “Another of us, “ “1923”, “The Penguin” “Yellowjackets”, “Bad Sisters” and even “breakthroughs”, women figures do not object to anything threatening or struggles. They take action against them, and they are often in public revenge.

Of course, we saw angry women, ruthless and violent on television before – was not a fan “Eve killed,” “The Walking Dead”? The script book loves to play with the beautiful and deadly female murderer (often trained in this way), which uses its magic as a final cover. But unprecedented before, there were many stories devoted to “ordinary” women (as in spies, policemen or political leaders) taking things in their hands to survive, escape or deal with bloody justice.

In the last season of “The Handmaid’s Tale”, is June (Elizabeth Moss) and the May Day Resistance Group, which is trying to overthrow the parentalocracy in Gilad. In “Death for Sex”, it’s Molly (Michel Williams) who comes out of a suffocating marriage and the incubation of domainxx her inherent in the wake of the diagnosis of peripheral cancer. The second season of “The Last of Us” follows a spiral of female revenge-Eli (Bella Ramsey) outside the killing of Abe (Kaitlin Diver), who killed Joel (Pedro Pascal) for killing her father-while her season 4 of “breakdowns” appears, Deborah Vance (Jean Smart) finally sees a late adding after she decided to Wing They are insisted.

For some female characters, the idea pushed them alive at all costs-Sophia (Christine Millioti) in “Penguin”, and all the characters in all characters “Yellowjackets” While others simply do what to do. Kara Daton of Helen Mirin from “1923” has a large number of body (wolves and murderer men) from her husband Jacob (Harrison Ford); In the last season of the series, he literally held the castle before the knights weapon arrived, in the form of my nephew Spencer (Brandon Sklinar).

Either way, many of these characters participate in behavior that challenges the traditional female reaction to TV – planning and extortion at one end; Self-care and brotherhood on the other hand-without taking advantage of Daenerys Targaryen (Emilia Clarke). Or more importantly, without the end of the Daenerys “that crazy woman”.

Regardless of “Game of Thrones”, Khalisi looked at the time, she was not allowed to the type of warming complications that the masses may have found acceptable in a male figure. In TV drama, men can kill many people, including those who are considered side effects, and are still adequately acceptable to remain a major nature. After all, Ned Stark (Sean Ben) remained a hero after beheading the man He escapes from white walking. But when Deniris killed civilians during the Battle of Tahrir, the male figures who saved her life decided.

Aria Stark (Messi Williams) in “Game of Thrones” is a leading figure because she does not have to die or abandon her deadly actions.

(HBO)

Instead, Aria Stark (Messi Williams), who succeeded in obtaining her list of perpetrators, which seems to have ignited the current template for women who are not interested in taking it anymore. Small, small and armed with her intelligence only, a sword, and in the end, the ability to change the faces, Arya did not think about strength or glory, only a dark resolve to correct the size of justice by rid of a deadly killer world at the same time.

It was allowed to do so, and made her until the end of the story without forcing her to die or abandon her actions in any way, made her the most pioneering figure in the series, and perhaps for modern TV history.

A woman, like men, can now decide to become active arbitrators of justice, or the essence of errors without social blame or even help men.

This is not an argument for the most urgent violence and the width of general blood on television, as women often are still victims of unidentified in crime/horror drama. Correcting violent errors – in “breaches” and “death for having sex” does not necessitate the issue of changing the game by refusing to play with ancient rules, which in the end and doing things they previously thought.

But it is worth noting that many women are increasingly angered by reducing their rights through the Roe V Heart. WADE and potential harm by federal financing discounts to programs like Head Start, women refuse to accept any level of deficit.

Instead of throwing themselves under a train, and fleeing an offensive relationship – whether it is with a man, illness or government – or simply plan behind the scenes, they improve the forces and take things with their hands.

They are angry, but more than that, they adhere to it, and are able to defense and recover. Among the ambitious television is still drowned in envy, a wardrobe is filled with high -end fashion and the embrace of handsome men and their luxurious cars, but they are also full of women who are not afraid of leaving the safety of the family, society or civilization and landing the forces that threaten them.