Dito Montiel’s quirky crime comedy focuses on warring clans

“RifF Raff” is a powerful crime comedy with unusual wires. There is no theft, no bag of money or drug bag. Instead, the exit, Dito Montel, It focuses on three interlocking families to ensure that their loved ones remain very violent.

Former Vincent man (Ed HarrisTwo clans are born. After tightening it and giving up a beginner family from Bawdy Rnt (Jennifer CollegeAnd their loser son Rocco (Luis PullmanHis face and became a decent man for his younger wife, Sandy (Gabriel Al -Ittihad) And their Protected DJ (Miles J. Harvey). Singer and saints remain more or less than their impulsion until Roth, Rocco and Rocco, pregnant, Marina (Emmania Poskini), exploded to the cabin of the holidays that fledMichael Angelo Coveno). LEFTIE also brings a purely called Lenny, which is calling for communication, very funny Davidson House.

Blood is invaluable. But the family tree that provokes Roth and Rocco to Sandy and Di appears to come with a gallows.

It is clear that this was a hell of the text to persuade The isolated Murray to capture his phone. screenwriter John Bolono appeared Among the Los Angeles Theater of 99 seats and knows how to braid comedy, tension and theme. He divided his characters along a naive axis. Rocco and DJ shares a father, but they seem to have grew up on separate planets.

This is a movie where a person’s lobes are performed on the window on the window and Plop-Plop down in the pieces. But gradually and convincingly, “RV RAF” not only shows the minds but the heart. The first half of the film is almost all known conversations between these deported relatives, which includes the best in the flashback that extends to how Rocco carries out anchorage. We know that these gangs are made of this sympathy for good faith.

In fact, every character proves capable of sincere feelings. Montel’s insistence on humanity, even in this type of Gonzo dust, is developing into his thesis. Postacchini in particular makes her friend’s side personality earn a place in the plot. It is so radiant that when Marina ducks disappears in an absurd attempt to stay outside the radar, we really feel light out.

With Leftie and Lonnie on their way to the cabin, the result appears to be a time bomb, as well as something like a strange music saw for some additional tremors. However, the scenes themselves play Floppier than you expected. Murray is good, as it provides threats to tighten the eastern coast and increase the descent in his eyes. He and Davidson have a wonderful bureaucratic jokes under their breath. (Even Davidson gets laughter with the “Nice Ziti” line. The best sequence in the entire movie is to confront them with two luxury suburbs who can not simply imagine that they are in danger, and they get them like them like them Galapagos is the Zarqa Islands.

Part of the problem is another part of the actors trying to move across this high world like ordinary people. It seems that Union and Harvey are under the impression that they are audience channels instead of deformed vulgarians. Harvey, the rising actor with real capabilities, has one of the most difficult characters. DJ, a student in Dartmouth who did not deal with anything worse than being a friend of his crushing, must make this type of difficult axis that is not commensurate with the general tone. It can succeed if it is more than caricature, and this may be the reason that Harvey keeps his voice half a very high octave. I wanted to see every part of it – from jackets to smile. The only scene used by Montel like a caricature, with DJ wandering in very dangerous murder talks while encouraging barbecue barbecue, is perfect.

This type of Caper Gory Teeers on drafting. We had One million of them in ‘90s. Montel takes some time to become his hand that after a more complex thing emotionally than the first verb he predicts. There is real pain in the basic idea of ​​the film on Redos Daddy Redos and brotherly resentment. Victor was a lock in his first marriage and the father of the second. It seems that the scenario believes that its transformation is legitimate, and that people can develop, although we never believe that it and the Sandy Union have married happy 18 years. As evidence, the text program includes a sexual scene. It does not work.

The story depends on us on buying a version of Victor that is difficult to imagine – cheating lice that have not yet gained the gentle house, Debonair Cap, the younger wife and the son who only knows little. When Rocco, which Pullman plays as a deed, is informed of the smell of sweat, that it resembles fixed organic pollutants, we cannot see it completely. Rocco argues that he knows himself to be the opposite of Victor. Ready to be a father himself, he wanders in anger that resembles lava when he neglects his childhood.

We are accustomed to rooting defective anti -heroes, especially those that played with the noisy gravity in Ed Harris, so that it is almost the ritual when Montel reveals that he is lower respect for Victor than what we might guess. Like billiard sharks, Montel reveals only its intentions at the end. The gambling does not pay the fruits as much as possible, but at least “RifF RAFF” becomes smarter as it continues.

Early College scenes as a drunk mouth play such as punishment. Ruth is a horrific creation, alone alone wandering in her previous rooms Like RacconShe wanders in Sandy’s makeup and screams in the Victor cloud like that she is desperate to steal the life she still wants. Coolidge is launched from some wonderful dirty pranks as the camera remains on its split. But the character is even repellent for her family, who refuses to warm her even when she tries to win their sympathy with an embarrassing monologue on how her father trains her to settle in the reckless.

Montel takes a shiny rug from Al -Hazli to breastfeeding, noting her sad awareness that she is the strange woman. In the end, Al -Sija will ask the clan he can kill first. By that time, I was almost beside her. Or at least add it again to the family Christmas cards menu.