Some of the most interesting moments in any version of the Annecy Motion Festival come from cross-pollination-vision of the concrete effects of international animation. One example is “Dragon Striker”, a series coming from Disney Emea that produces it Chouette Studios. In the MIFA studio concentration session, the creative team behind the series clearly spoke about the heavy anime effect on the show.
The co -founder and producer Silvan Doss Santos was present about this effect, not only on the “dragon striker” but in all the works of Chuaw. The studio, with 200 artists, described 75 of them from animation, as they were founded by people who love Japanese animation and comedy and dream of making something in this style.
“Dragon Striker”, announced for the first time in 2022, is a symbol of that desire, a two -dimensional wheelchair born of a bag of effects. The series, which was appointed in 22 episodes of 20 minutes, is mainly revolving around football-or at least a combat version of it. With only five players on each side, they use magic capabilities such as time -changing power fields, cloning and spectral teenage to crush their opponents and score goals.
diverse It was granted exclusively to an early look at one of the show teams, as shown below.
Credit: Chouette Studios
In the world of the exhibition, it is a national hobby, which was placed in detailed and dedicated stadiums that reflect the nature of each home team. A large part of “Dragon Strike” is set as part of a prestigious school devoted to training children on the skills needed for success. The two main people are Ssylle, a goalkeeper, and Key, an attacker. Selly already understands its strength; The key does not even know that it has one at the beginning of the chain. His strength – or “completely” in the terminology of the exhibition – returns to his late mother, who is the star of Najm herself.
Some footage of the first episode depicts the feverish movement of the game, which was revealed with the visual sermon that one might expect from the anime of work. Not only in the character style, but also in the timing and rhythm they moved and the accompanying effects on the screen. It is not only the style: later in the session, the team talked about how to partially be inspired by the Japanese animation pipeline, which was adapted to the operation as it was carried out in France.
Charles Levfar, who also participated in the founding of Chewet, who also participated in the founding of Chououd after working in the parents company La Chouette, was highlighted that some of the team was working on anime such as “My Hero Academia” and “One Piece” while displaying some major shapes and describing the exhibition, and the fees were completely responsible for their panels.
The anime industry communications continue, as the team talked about employing the series Kevin Penkin for the series. Penkin, known to work on anime like “Made In Abyss”, worked with 80 people in Japan to record music for “Dragon Striker”.
Before sharing a scene where Ssylle and Key First met, the team divided the development process into sectors. Dos Santos talked about the previous repetitions. “It was not even a football show,” he confessed to talking about the nucleus of the first idea. It has evolved from being an offer to the Rajabi in the environment of Arthur called “Ovalon”. Gerardo Orlando, a producer of Disney’s show in Europe, the Middle East and Africa, has talked about changes. First, I moved from the Runbi game to football, then they dropped the part of the Anthurian legend where the team wanted to “build [their] Owning myths. “
In the creation of these myths, the anime effects are very clear, and the show comes with the rapid montage of the opening credits associated with the Japanese series. The effects go beyond that method, of course. LEFBVRE is listed a little: “The Vision of Escaflowne”, “Final Fantasy IX” and “Chrono Trigger”, directed the main fictional preparation of Kal ASTEROCK as much as real cities such as Rio De Janeiro.
The visual makeup of these environments was not only related to referring to other loved stories, but also linked to the team’s philosophy about the novel of visual stories. “We often think about writing and views as different entities, but they are two aspects of the same currency,” said Claire Sun’s concept. They continued to emphasize that in embracing the goal of “showing and not telling”, they put the largest extent of building the world directly in art whenever they could.
Focusing on the concepts of preparation, the writer Paul McChyun highlighted the “Swims of Personality Arches” raised by a sport that has a lot of brutality and despair. “It is an offer to children, which is funny, but I think we really paid the borders in some places,” said Macyun. When the audience was asked if the team had written after the first season, they said that there was enough materials to overcome it, and Dos Santos entered with Quip that it was enough for “15 seasons of writing!”
Besides writing the characters, the actors themselves are also drawn with a lot of breadth-a mixture of various styles has been displayed, from mixed fashion from old clothes and contemporary street costumes to a collection of different hair styles, all of which aim to create a world that feels vibrant and vibrant.
The players themselves have shown a lot of enthusiasm for these small details, to the extent that the presence of their fans is already created by artists in their time, and they appear for embroidery, dolls and stickers. The concept artist Sun was titled “The first president of the official club Dragon Striker Fan Club” for hundreds of comedy and art pages that I have already produced about side characters. One can only imagine how much it will be if the exhibition gets 15 seasons jokingly.
