Four of the technical billionaires walk in a palace. It seems to be the preparation for the punching line, but it also constitutes approximately the full imagination behind “Mountainhead”, which is a new and very enjoyable spell Jesse ArmstrongCreator.succession“The film, which is flowing on HBO’s Max, is a kind of room play, a play of modern castle in Utah-Jabal, the title-tulon in snowy tops. Steve Carrell Randall Garrett, the group of the group, plays the group of the group, which, unlike the late Steve Jobs, has a cancer that his doctor tells him that he is not curable. (“Incorrect”, as he claims that he is waiting for his brain to be loaded on the “network”.) Jason Schwarzkmann Hugo van Yuk, founder of the “Super Style Style App” plays. He is the owner of Mountainhead and the gathering host, but it is largely the poorest of the crew, with a value of only five hundred and twenty. Korean Michael Smith Venice (as in the “Venice”, not “penis”) plays a diocese, which is the Elon Musk Marks Zuckerberg platform that runs a social platform called Traam. Rami Youssef He is Jeff Abedazi, a little businessman, who built a moderate moderate tool called artificial called Bilter-“handrail” for social media, he calls it. However, in the world of Armstrong, technology is never ethical in black, and the people they create are not better than tyrants – in it. Even any similar acceleration they keep in the end is a secondary for the task of enhancing net value, the only real terrain they care about to compete.
“Mountainhead” gives the personality of the heroic businessman, an original model for Aaron Sorkin and David Venber, who unintentionally helped build “the social network”, which is their fictional movie for the year 2010 to establish Zuckerberg on Facebook. (“He loves’fountain“Mountainhead?” Jeff asks, a drawing of the already clear Ayn Rand.) Armstrong said he rushed to the film from the desire to capture the “bubble time” in which we live in, and with the timing of his project, he put himself on the challenge. MuskA signalable investor, an equal player, and is reported The aggressor on the vitamin (He denies this) who gave birth to at least fourteen offspring with many women. The character displayed in “Mountainhead” – who wanders around Hegel, is shown and installed on the turbine cooking, and even sending spies with great greatness away – besides those in our reality. The film is stronger when it aims to the current ideological strain that stimulates parts of the Silicon Valley, which is a strange mixture of Biohackingand Via manand FascismAnd Amnesty International Reinforcement. (There is nothing equivalent Cortis Yepin In the movie, but he could have governed his guest himself.)
Venis is comfortable in Smith, which emanates from the obsession of mania, which wears black tight clothes on improved physical fitness, the villain of the group between the bad guys. At the beginning of the movie, it introduces new features on Traam, which includes a kind of perfect generation tool that can create “uninstallable” Deepfake Videos. While it begins at the weekend of leisure, the rest of the world descends into chaos resulting from viral misinformation for its application. Fake shots excite real terrorism, sectarian attacks, bank running, and mass killing, however Venice condemned the rest of humanity, and asked Randal if eight billion people could be “real” as they are. Four billionaires follow the news headlines from their screens and discuss whether Venis should stop TRAM tools. Their moral accounts are rational, in a distorted, Sam Bankman Al -Muqali-Similar to the method: The abandonment of artificial general intelligence will eventually lead to billions of human life full of a person who is full and eternity, and therefore temporary concerns of any person regarding safety or morals are just levels of beating. Venice, as the person who opened the Pandora box, is also a mirror version of Openai’s Sam Al -Taman, Understanding the allegations of caution.
“Mountainhead” develops into a hidden drama that remembers the film’s adaptation Roman AllamNovel 2020, “,”Leave the world behind“Where two families share an uncomfortable in a rented house where the end of the world is detected abstractly outside their doors. It is also a type of twenty -first century“ waiting for Godot ”, where billionaires sit around their expectations for saving to cross first. Hugo tries to put offers in the field of slow chaos in slow boxes. Hugo – which others call soup, for Soup Kitchen ” – in a scene that Swaritmann gives it with twisted inflammation, unlike others, he failed to” go to the unicorn “. Venice has even enjoyed the most prevalent ideas with the question” Can we run a model? “Jeff is the only voice of the group, but he also has an economic incentive to play along: as it puts it,” the worse, the more valuable for treatment. “(With the deepening of the crisis, it goes bey Randal in billionaire categories.) Armstrong is a poet of creative beating dialogue, which works here to capture technical entrepreneurs, “a glowing mix of” glowing “that is somewhat similar to the layer of layer.
Armstrong is right to how unaccounted technical few are controlling billions of people’s perceptions of reality. Musk modification X algorithm Or the tinciner with ChatGPT inputs and the information suddenly travel differently, along the paths that tend towards its biases. Zuckerberg is heading towards Amnesty International and suddenly our summaries are filled with Falsic, deceptive deviant. Even before the film was released, some technology fans criticized him as an unfair negative image of this industry; At least Silicon Valley “did not turn into indifference”, one of the commentators Reddit books. But what if the opposite of indifference is the belief that entrepreneurs can manage states better than the elected officials, which is the same argument that led to musk Federal government penetration With him an agency It was named after Mimi. In the rich Armstrong Schadenfrede novel, all of this strength leaves the founders of technology personally: it seems that Randalz in the world has nothing to live for except for a longer period of time. The technology wealth here looks less attractive than the ROY family (beige décor, respectively, is more ugly). “Mountainhead” lacks the drought of the “caliphate” – the tone is lighter and more flexible, and more than Greg’s cousin from Roman Roy. But there are many other features of the HBO series in the movie, including the pagan shots of black cars rolling in the corridors (this time, Rivian is more likely to be environmentally friendly) with two -sided passengers in the back, and a photo music by Nicholas Bretiel, usually from the fields that end with Hal. The mountain is at the end of the “Caliphate”, when the Roy’s family company was obtained by Lucas Matson, an emotionally vacant Scandinavian businessman with the philosophy of “Privacy, Al -Hayr, Al -Maaruna”.
Of course, the “Mountainhead” gang decides that, instead of stopping the devastating TRAAM artificial intelligence, they must take advantage of the disturbances, and for the lack of a better phrase, “seizing the world”, all of this from the safety of their hideout – or, such as Venis Dubs, “Husity Global HQ.” They collude with the leaders of the coup to enlarge and cause Brownot in Europe, just to fall into an improvised plot against one of itself. The alien that follows is entertaining, but there are not much incentives in Dénoument domestic dogs. The most effective moments tend to happen on the action perimeter, in scraps of the billionaire category in the basement, assistants and lawyers wandering in the corners of the Hugo Palace. A woman representing Venis is the only person who can make him flashing. Jeff’s distant relationship and diversity with his girlfriend almost make one feel sorry for him. However, Armstrong is never able to create meaningful risks or consequences for these characters, which are isolated by their wealth even from depriving each other. We know that Broligarchs are selfish, unhappy and not interested in the rest of humanity, because we suffer from their presence here in real life. What we do not know is what to do about it, given that it is still not accessible like the short cliff, and the formation of the fate of the world from their phones. ♦
