Johnny Depp, Al Pacino Projects Lead The World We Want Studios Slate

The impact of the entrepreneur and defender of the global goals of the United Nations Natasha Mawhar Make a mark with The world we want studiosA production banner that quickly collects a list of stars projects, including Johnny Depp“Modi” guidance voltage Al PacinoJessica Chastain “Lear Rex.”
Mudhar’s trip to the outstanding Hollywood productions began in 2013 through the veteran product Barry Navidi, Pachino’s creative partner for a long time. “My journey started with” Lear Rex “and” Modi “when I got to know the Pacino through Barry Nafdy. diverse. “At that time, I worked closely with Barry on” Evening with Pachino “, Mr. Pachino exhibition in London. This cooperation allowed me to build a strong creative and commercial relationship with Barry, which ultimately led to my participation as a co -producer of” Lear Rex “and the executive producer For “modi”.
“Our mandate ethics are rooted in the belief that the story of the stories that depend on the purpose can be attractive and commercially successful,” says Modhar. “We choose projects that give priority to captivating novels while integrating a social conscience smoothly. One of the films that determines the type with a hidden social comment to the bold novels that address the urgent global issues, we are committed to pushing the borders and ensuring that the stories are left permanent.”
Deeb directed “Modi-three days on the madness wing”, starring Ricardo Skamario, Italian artist Aryido Modeliani, who was first shown in San Sebastian last year. The film presents what Mudhar describes as “an intimate glimpse into a pivotal three -day life of Modigliani, against the backdrop of World War II.” It emphasizes that it is “far from the CV” and instead, “the DRAMEDY lens is used to explore international topics boldly such as art, rejection, and an indisputable endeavor to recognize.”
“With any project, my decision not only stems from the same story, but also from the vision, instincts and passion of the team that leads it forward,” explains Modhar. “The partnership in the project means trusting the main creators, and the leadership of Barry and its dedication in the novel of the meaningful and transformation stories was a specific factors in my decision. It has a unique ability to establish deeply and emotional and emotional stories that appeal to me.”
Meanwhile, the title of Pacino and Chastain “Lear Rex”, the innovative Bernard Rose to Shakespeare “King Lear”. “What attracted me to” Lear Rex “is his unique ability to bridge the gap between classic literature and contemporary stories.” “By mixing Shakespeare’s permanent brilliance with a modern cinematic approach, the film appeals to each of the veteran fans in his work and a new generation of fans discovering his genius.”
Barry Nafdi, Jessica Shasin, Al Pacino, Natasha Mouhahar
The world we want studios
The studio also supports “In the shade”, starring Yasmine Jobson (“Top Boy”) and Finn Cole (“Peaky Blinders”), which chronicles the wonderful journey of Ramla Ali, British refugee Somali who has become the first professional boxer in Britain. “When I got to know” in the shadow, “said Modhar. “As the second generation of the British Asian, I am dealing with the complexities of the balance between the heritage with the forgery of your way. This film exceeds the sign of sports drama – it is really a global story about identity, love, faith and perseverance.”
Her trip to Hollywood with Steling Global, a leading telecommunications company founded by her mother, Tiji Singh, in the 1990s, which helped provide Indian cinema to international fans. Based on this legacy, Mudhar has fill out more than $ 450 million in influence investments and led more than 90 projects in 130 countries, reaching more than 2.5 billion people.
The world we want studios operates at a critical time for this industry. “Despite some progress, women and societies are still missing a missing representation of the main creative roles,” Mawar notes. “Asala is not only related to the presentation of various personalities, but rather to granting creators freedom and resources to the narration of the stories that apply to their vision. Socially paid accounts are often rejected as” very specialized “or commercially fraught with risks, but we challenge this idea.”
Besides traditional entertainment, the studio led influence campaigns for more than 250 films and television production. Prime Video prominent projects, based on the largest case of overfishing in India and “Pad Man”, which affected policy reform on monthly hygiene products in India.
The upcoming studio list reflects its ambitious vision. It is a series of development with the mixing of the “Avengers: Endgame” scene with the heart of “Friends”, against the backdrop of the United Nations sustainable development goals. Also in the works, there is a feature film on a transformative Indian social businessman, along with a written movie and series that explores the life of a former New York Mafia member, focusing on the topics of salvation and transformation.
“We prove that the social influence can coincide with commercial success,” said Mawhar. “Our content aims to increase change through various novels, which include both existing and emerging sounds from all over the world. From stories about the planet to those who enhance sympathy and inspiration for work, we are committed to creating a more fair and sustainable world.”
With the presence of deep links to Hollywood, Indian cinema and emerging markets in Africa and the Middle East, the world we want studios puts itself as a bridge between entertainment and influence. The company also launches an entertainment investment platform to provide financing, resources and strategic partnerships to enable creators across species.
“The media is essential to achieving our goals,” Mouahar explains. “By addressing issues such as gender equality, climate change, and public health through convincing accounts, we aim to enhance sympathy and inspiration for work. All challenge is an opportunity to innovate.”
As an entertainment project and a car for social change, the world we want studios is a new model for creating a purpose -based content. In the words of Mohahar, “narrating the stories is our bridge for sympathy – it allows us to live a thousand life, understand various views, and lead to a meaningful change in our world. When issues are included through convincing accounts, they can mobilize resources and influence policies, And inspiration. “