Last fall, the artist FKA Twigs promoted her upcoming album, “EuseXUA”, with a series of international fleeing. London residents were asked to meet her in the case, Angelinus in the reserve, New York residents at the chocolate factory. Guests disposed of under the dress – “soil and burnt steel” – even if it means bribery as a friend to lend the archives Rick Owens. Natural students were buried under Starburst Etisalat. Engineering codes are drawn on faces, and mimic the branch style. For branches, everyone wanted to look their best. As for the branches, everyone was ready to wait. The waiting was the point, to rotate in the hot rooms. In this event in New York, the artist arrived and took her place inside a glass box, but not on the violent and honorable Marina Abramovich Road. Half of her head was shoran. Her body was small and all the muscles, surrounded by chrome, which caught the iPhone lamps because it performs its new “Drums of Death” path. She was glowing in music, somehow in the club’s mobilization and stuck in her own room.
The seventy -year -old branches were born in Tala Dibrit Barenit, a comprehensive artist. The dance is teaching singing that teaches production that teaches design, and so on. It is serious, but it can do humor, but it will never do the paradox. She is a true believer in her art. She is making her performance effort. When she was a child, she trained with the opera singer and studied ballet. People knew her first as a dancer. She has long recorded her Instagram rehearsals. It is a wonderful performer, it can be just graceful, whether it dances a column or a fight of the sword, however it pushes ingenuity to a more wonderful expression, as if she was spending her body in extermination. Is there a moderate tendon? I saw her performance from “Magdalene”, a masterpiece for her 2019; I could only wonder, while watching, if her body would pick up.
For years, it has been raised with a kind of non -prejudice, it’s the girl’s energy. But some of these ambiguity dissipated in the period before its last album, which is the third LP in her musical career near the twenty years. This time, the branches seemed correctly understood. I talked about healing units, about breathing techniques. “EuseXUA” consisted of more delirium. In the interviews, the branches spent the meanings behind them, their philosophy. “EuseXUA”, in her words, was the second desirable before orgasm. It was petals against the skin. This condition was ecstasy, and exit from the body: “When I accepted a lover for hours and turned to ampea with this person,” I told the British. Vogue Magazine Last year. “You are no longer a human being, you are just a feeling.”
Authorship is everything. The branches have moved in the tabloid scrutiny that are not commensurate with their work. Romanticism brought her with celebrities, such as Robert Pattinson and Chia Labov, in contact with a hostile crowd – the people who intimidated her because of her race and lack of clear attention. For more than four years, she was imprisoned in a legal battle with Labov, who filed a lawsuit against her for sexual and physical assault. (At that time, the lawsuit was filed, Labov admitted to alcohol and aggression addiction, saying that he was “offensive to myself and everyone around me” in subsequent legal files, he denied all allegations.)
“EuseXUA”, which was released on January 24, is the hegemony of Twigs. Anything tablwide or celebrities have been strangled, and denied reaching its world. The album night. It is an electric record, stems from the traditions of the cylinder and dress, the garage, the jump of the journey, the euro, and from the shadow of the low and distorted techno-but it was never nostalgia. Music was able to be immortal and future. When the branches were exposed, at the early twenty years of age, the description we presented to her and the artists like her, who referred to the Egyptians and shelves themselves in Chrome, was Afrovotoria. However, it has always resisted the classification.
Although “EuseXUA” is a confessional album, Twigs expresses its biography through emotion, sometimes it is clearly mentioned, and sometimes in the form of barox. The “Room of Fools” path puts us in the mind of Björk, and perhaps “Venus as a boy”, if you have to choose a specific song. The rhythm, leadership and roads are chased after its branches, which reduced Soprano, which made her voice a tour. “We open the wounds,” is almost drones, from a swarm on the dance circuit. The atmosphere shines – the entry is allowed; Clean piano, the tin itself – offers the branches as the thinking. It sings in a lyric repetition that should be a banality: “It is a nice feeling.” Because even at the moment of vent, there is acidity. It has soprano holes.
The debate about “EuseXUA” has everything related to whether the branches may “go pop”, and found a generous way to make the axis. (We know what this means.) Product credits include Stargate, Doyns of the R. & B. EUROPOP that dominated an automatic radio. Through this update, this pop work works (“I love the danger / you are an ideal stranger”), which is “Perfect Stranger”, which participated in the production of Stargate alongside the branches and others, from Madonna. ” A song like this is ideally perfect; Isolated from “EuseXUA”, you can see the street hymn as it makes its way to Tiktok Virality. However, even when the branches are more explicitly involved with pop, they do so to exploit physical ideologies. On “eusxua”, twin feelings. Later, we pay the “Stranger Perfect” lightness, with “24 hours”. Gravity here is a little ugly. “Please do not call my name / when I present to you this way.” Her face was stuck in a surprise, making herself a table for the father with his vacant eyes smoking next to her. It seems as if Jean -Paul Judy presented it.
In Twigs production works, one hears its preoccupation with the body and how it moves in its various cases. Ricking on “EuseXUA” crawls and comes out Peter. They are punished, then they are given care for the ear. The effects of its classic training – it cannot abandon the guitar – forced to dissipate with the anticoagulants and the influential audio control. Twigs said that the concept of the album came to it in a bathroom in a technical club in Prague, but “EuseXUA” is an album in the dance area that does not strongly needs Berlin, London or Prague. The album is almost mysterious when it begins – “Girl Feelder” is really good. Gradually, the branches show their tight side: the monk of the night -life girl. Songs such as “Keep IT, Hold it”, a victory from the late gravity, and “Striptease”, a type of repulsive species, which fills me with a strong desire to be alone. “Striptease” “Magdalene” remembers her previous work, with her gesture to a kind of temporary destruction. It does not sing from the breasts but from the storytelling, widely opened. In a video of the song, she dances violently in a tunnel, hurried vehicles in the past, and her body collapses into something floating, not a human, not an animal. The song accelerates as it moves to escalate. Keens are carefully, look like the late Dolores Oreyurdan.
It makes sense that the branches issued “EuseXUA” at the beginning of the year. Some songs will be forgotten. I do not know if the “childish things”, which is the heavy J-POP experience of the piano, which includes the northwest of Jesus in Japanese, can survive. The same applies to “Wanderlus”, the closer. But “EuseXUA” will take new skins over the year. One DJ will delay a song, and another amputation may completely, which prompted the club a little mad. Undoubted reinforcing operations, and their capabilities are countless. I will be with branches wherever you go. ♦
