The original Brad Beit Race DramaF1I went to the top of the box office schemes, raising 88.4 million dollars at the international level and 144 million dollars worldwide at the weekend.
The film, director Joseph Kossinski, producers Jerry Brookheimer, and Formula One champion Luis Hamilton, follows a retired driver (Beit) belonging to the popular motorsport to train the roosters (Damson Idris) and save a failure team. Outside the United States and Canada, where “F1” Zoom to 55.6 million dollarsThe first regions in the United Kingdom were the United Kingdom for $ 9.2 million, China with $ 9 million and Mexico with $ 6.7 million.
The “F1” coincides with the first Apple’s commercial victory, which had previously supported the large -to -performance screen shows such as “Killers of the Flower Moon”, “Napoleon” and “Argylle”. For about $ 250 million in the productive budget and the massive marketing spending, “F1” will need much larger ticket sales to break the theatrical profit. But this is the closest attempt for Apple to the Waldience Wovience Clofbuster mode and will soon overcome “Napoleon” ($ 221 million worldwide) as the highest version of the company. In the coming weeks, F1 is expected to benefit from solid reviews, oral and positive iMax screens before landing on the current, Apple TV+.
Since Apple does not have a distribution arm, the technology giant pays Warner Bros. To put the movie in theaters; The Borbank studio will also receive a percentage of theatrical revenue that increases with box office standards.
“F1” also represents an IMAX victory, whose cameras were used to shoot high -speed racing sequence. IMAX screens accounted for $ 11.1 million abroad and 27.7 million dollars worldwide, representing 19 % of the total-fourth-highest percentage in the history of IMAX.
“F1″ has inspired the masses all over the world through its vulnerable story and an ideal mix of high octane races and the story -focused stories. ” “The emergence of the distinguished film reflects both excitement in Formula 1 and the deep emotional and entertaining story designed by the team of actors and the entire creativity. Their dedication and innovation have fueled an unforgettable cinematic experience.”
In terms of other new arrivals, the AI movie for Universal and BlumhouseM3GAN 2.0“Flat at $ 7 million from 80 international markets. Mexico received $ 1.2 million, followed by the United Kingdom and Ireland with $ 700,000 and Brazil for $ 400,000. In addition to $ 10.2 million locally, M3GAN 2.0 made $ 17 million on the first weekend of the version.
Through the weak reviews and the audience’s decreasing benefit, the Campy Horror continued to achieve the box office heights in “M3GAN” for 2023, which ignited $ 15 million abroad and $ 45 million worldwide. The origin has become a sleeping blow with $ 180 million worldwide, which explains the justification for the studio for the follow -up film about the screaming queen who has become the queen of Mim. Fortunately for the studio, “M3GAN 2.0” cost a modest amount of $ 25 million, so the possible theatrical losses will not be very painful.
In addition, Universal takes over with “how to train your dragon”, which added $ 32 million internationally within its third framework. A new edition of Live-Action received $ 254 million abroad and $ 454 million worldwide to date, confirming the permanent call to fictional property. Universal has a living work supplement for 2027.
PG Films dominates the box office with “Lilo & Stitch”, adding $ 13.1 million from 52 markets for a huge outcome abroad of $ 545 million. After six weekends on the big screen, “Lilo & Stitch” is about to cross the teacher of $ 950 million (with $ 946 million worldwide so far) and has one billion dollars on the horizon. A Live work supplement To “Lilo & Stitch” in business.
Not every movie with a family friend ranked the box office. The original Pixar Adventure of Disney “Elio” brought only $ 11.4 million from 48 regions for a student picnic in the second year. After getting the worst beginning in the history of Pixar, “Elio” achieved $ 30 million abroad and $ 73 million worldwide. Although the word positive compassion should help the film continue throughout the summer, “ELO” is not close to the right track to earn enough to justify the $ 150 million production budget.
