Filmmaker Eddie Alcazar On Creating The Weeknd’s Surreal ‘Red Terror’
Exclusive: The Weeknd It is depicted as a young child by the director Eddie Alcazar ((Divinityand Sabotage) In the new short movie Red horrorAccompanying the song with the same name from the latest release of his album Faster tomorrow. The video can be found below.
Alcazar invented the concept of Fantasy Nightmarish in the aftermath of a conversation with the singer and a prize -winning actor who asked to be “the boy in a haunted forest” is the central point of the story. From the idea to the concept to the final product, Alcazar took about three to four months to complete it.
“The creative freedom and the time that I worked with ABEL allowed us to dive into preliminary topics and bold technologies. By mixing direct movement, stopping the movement, and VFX, we have truly formulated something unique – an experience that pushes the borders with the survival of roaring passion,” said Alcazar. On the deadline on Saturday after the project decreased.
Alcazar is famous for the creations of stopping movement, including its latest feature Divinity (2023), CEO of the horror produced by his teacher, Stephen Soderberg, starring Stephen Dorf, Scott Bacola, Moisis Arias, Jasson Jino, Carroch Tran and Bella Thorne. In addition, he collaborated with Darren Arenovsky in the short movie SabotageStarring Bill Duke, Which was first shown at the Cannes Festival in 2021.
His work on Sabotage The Weeknd, born Abu Makkonen Tesfaye, caught their cooperation in Faster tomorrow.
In addition to Red horrorAlcazar directed the last “Hearts Open Hearts” performance in Weeknd Jimmy Kimmel Live! Which broadcast as his album fell. The performance is an introduction to “Red Terror”, and it ends with Weeknd after a child’s copy of himself in the forest.
“Abel’s music and work ethics are incredibly inspiring, and we were determined to create pictures that match the richness and quality of his voice. Our continuous talks have continued during the past few months to open new layers of details, allowing us to expand and deepen the world that we were building.”
He continued, “Stopping the movement is a complex and painful craft – often considered a lost art – with the animation with an average of only five seconds of the shots per day. Each frame requires accurate attention, from the smallest sets of modifications to the most accurate letters. I am grateful Really because ABEL documented in this process, it embraced the slow and deliberate pace required to make such a hand -made art on this large range.
catch Jimmy Kimmel Live! Performance and “red terrorism” below.