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Fiona Dourif on McKay’s Arrest, Brad Dourif

If the competition is the one who deserves to return to the home after the longest transformation in the world in Max.houseLack of a better case than Dr. Kassi McCai.

Played before Fiona DorifMcCai is a skilled doctor, sympathetic to her personal drama, even surpassed her patients, and reached her climax in the fourteenth episode of this week, also known as “8:00 pm”, when she is arrested. But let’s back up.

Indeed, this season, McCai succeeded in some crises, including her whispers around the ankle screen imposed by the court and the arrival of her ex -husband Chad (Ron Akwam), who broke some of the bones that play the role of Abi skiing on their son Harrison (Henry Samiri). Add the chaos of the comprehensive victims, and Macai decides to summon reinforcements to save Harrison.

In this week’s episode, the Knights weapon arrives with Mcai’s father, who is played by Dorif’s real father, Brad Dorif. Of course, this is not the first time that the two shared the screen. Since 2013, she has played a fundamental role in the recent TV series and film “Chucky” horror, who presented her father to sound and human personality since the doll of the killer appeared in 1988. While Dourif was pleased that her father had her own project this time, he could not get credit in the dependent range.

From the door of courtesy Max

“My doubts is that it was the idea of ​​Noah Weil,” Dorif says diverse. “He talked to me about my father’s profession in great detail before, so I know that there should be a device to get Harrison to the house, and it may have been put in the book room as a very wonderful idea.”

Immediately, it is clear where McCai gets her sympathetic bed – and her edge. First, the paintings display his daughter, embrace his grandson and then take a blow in his previous son -in -law. “Chadwick Harrison Ashkraft III,” says Bazzah. “Doshbag’s name for DoucheBag.” He calls them as they see them.

Meanwhile, McKay’s decision to challenge Ruby (Noah Wey) earlier in this shift, which has never ended to chase this hour. She previously expressed concern after a teenager named David (Jackson Kelly, who recently starred in the TV series “Chucky”) showed signs of anger and may have intended violence towards girls in his high school while he was with his mother Theresa (Joana Yahab). Ruby suggested that they were not participating, but McKay called the police anyway when David fled. Since the mass fire in Pittfest, MCKAY wondered whether David is the shooter, which was exacerbated by his blood -stained return to the hospital in the episode last week.

This episode confirms that the shooter was another person, since then, leaving Ruby, Terisa and Makay to face the hostile David. Do not go well, and it has become more difficult by directing Robby to Mckay as “I have done this damned chaos, you will have to fix it.”

If its day is not bad enough, the policemen were constantly calling Macai, who disrupted the broken ankle screen with IO training during the pittfest shock chaos. After ignoring their calls one several times, they appear to arrest them in front of the entire emergency room.

Talk to diverseDorif tackled the humiliation of climate detention for both her personality and herself, whether Macai feels that she made a mistake with David and why made her father in the group feel more.

Mcai has passed a lot in just hours. How do you think it stands at 14 o’clock?

I think it spends a very long day. There is an insult that plays with the ankle screen, then the confrontation with Chad, which occurs in a practical place is a kind of nightmare. She can put herself in her position and then loses her to the point that I will wear this thing, then to show this manchold in front of everyone I think it is very insulting to her.

She also has her son to worry in the other room. Fortunately, her father comes to get it, and your father Prad Dorif is playing. How does all this gather?

My doubts is that it was the idea of ​​Noah Will. He talked to me about my father’s profession in great detail before, so I know that there should be a device to get Harrison to the house and may have been put in the book room as a very wonderful idea. I got close to that [executive producer and episode writer] Simran Bidwan, and wanted with great respect to obtain permission to make an offer to my father – and I was happy. We were happy. It was a gift, really, and a very thin moment to shoot.

You have clearly worked with your father several times in the past, the most prominent of which is “Chucky” and TV series. I even played a copy of his character “Chucky” in the TV series. But how was it like behaving against each other in this medical environment, which is also new to you?

Everything about McCai feels very close to the house for me. All this looks like something new. I have mostly worked in science fiction, horror and type, and it is my first love and I will always love these things. But these are brutal characters, a kind of brutal characters. This person is so close to Fiona Fiona to the point that he gives me confidence, but he is also frightening because you are either like me or not. There is no place to hide really. Then to bring my actual father to the context of my father, we only performed the scene that I felt so much that Brad was speaking to Vion. Everything and really this show is all surreal poetry. I did not expect that. I feel very lucky.

What is more difficult: all of these medical terms emerge or try to master the character of “Chouaki” for your father?

Perhaps it was easier to master my father’s voice. Well, the secret is mostly through makeup! There is already a very little lifting.

This episode represents the culmination of a few pressures on McCai Day. We see the confrontation between her father and Chad, and Harrison’s exit from ER. After that, we see it should face the situation with David, who turned out to be the shooter in Pittivist. Knowing this now, do you think McCay regrets the police?

I think, in the end, MCKAY does not know if it had made the right call. All you know is that she did her best in these circumstances, and I think she gives herself some credit for doing the brave thing. It may have been difficult to contradict Ruby when the resistance path was less for him to make a call. But in the end I believe that she saves her face to herself. MCKAY is a character who made a lot of bad decisions, especially in the late teenagers and early twenties of the last century where you feel invincible. You can see these people who made a bad decision and can never recover. So she looks at David as a person who is part of her tribe, and tries to help him in the end.

In the second attempt to speak with David with his mother, Makai is clearly vibrating because of the meeting. Why do you think it really hit her at this moment? Because it was her son literally a few hours away?

Yes, because it knows how easy it is to make the wrong decision. I think about it as a kind of your heart wandering outside your chest. She is also a single mother, as well as Teresa. There are many similarities in her life. Watching these artists a day, this scene was very difficult. When he screams for his mother, you can really feel it. This often happened on “Beit”, in fact. The entire group adapts to what is going on. It was heavy things.

We have seen that Ruby is a company, but in the end a directive hand for employees. However, at this moment, McKay tells of her chaos. What do you think that you feel about this very frank guidance from it?

I think it is appreciated. I think about MCKAY as a person who has not been blocked, directly estimated, and looks at Ruby. It is the spine and hospital heart. I think there was frustration in it that he was kicking the box on the road by deciding on David at the beginning, and I had to go behind his back and do so anyway. But he has sufficient integrity, which I think is the most impressive moments in this story, as he ends it and takes responsibility. He is an impressive person. He is also an impressive man, Noah Will is. Very generous, just an incredible team leader. This is true, and it does not always happen.

It seems that she is looking for a place to put her feelings towards David and do some good at the end of the episode, where she arrives at nurses asking whether there are any cases that you can jump.

McCai really don’t know how to deal with her life well. I think it has a very bad personal life, in fact. I have really made bad decisions with men. I think her life is essentially the care of her child and her work, so this is the same lane where she feels that she knows how to come back and job. All experiences of her life were somewhat crowned at this moment, and she was not always good. They were more difficult than others who were their peers. But they were crowned with this skill, which is the ability to communicate and sympathize with people in very difficult situations because it was there. It was at the party that was shot.

I mentioned that her ankle screen is a source of humiliation of Macai, so what do you do to call her publicly in front of everyone when she is arrested because of her disruption?

It was a reminder to her. Even filming was insulting, because this flood was remembered that you are not good enough. It was, then it soon became angry and injustice. The inner thread remains that it was my fault. Mostly, it is just a complete insult to happen in front of everyone.

But we get a very brief overview before the episode turns to Black, where some of its colleagues such as Dana (Catherine Lanasa) and Langdon (Patrick Paul) jump into her defense. This should mean something for her when we meet in the end?

Yes, I think so. This way feels a lot when we imagine. Everyone loves each other, which does not always happen. The hours are long, and everyone works every day, especially after the mass injury, I felt as if we had brought in this collective being, which I think gives way to what will happen in this circumstance. It stops being about you and starts to make sure that this thing works because the risks are very high.

Have you felt “The Day of Earth’s Rit” to return to the same clothes and stories every day while filming this real season?

I started hate my hair by the sixth month! I just wanted to take out the horse’s tail very badly.

This interview has been edited and intensified.

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