Mary Mattingly Gardens Moonit Gardens fluctuate Robert Mann exhibition to a hallucinogenic sensor. The landscapes integrated into the real and wild flowers that are created manually, created by the computer, which is simultaneously at the same time-the most tempting-and familiar like the natural historical diama. But they are not just beautiful pictures. The artist has long been known for work (including the site sculpture) that faces environmental problems while engaging in accuracy. Here, the gardens often seem mired or immersed with the rise of the rising seas to convert EDens to Swamplaand. In one image, the transparent jewelry jellyfish caps like jewelry like a swarm of foreign bodies over a dark field of flowers, invaders from our mutant planet .-Vince Alaili (Robert Man; until February 22)
New spirit
Multihyphenate Dua Saleh, A Sudanese American Muslim artist is not built in Minnesota, in the nuances of the intersection as a musician, actor, activist and poet. It is appropriate, it explains the music that is suitable for Saleh, a group of all of these characteristics. Since an interview of Psymun, a producer at a progressive local scene center that bends hip -hop and R. & B., Saleh’s songs have become more flexible and more. After the launch of three EPS – Spirit “Nūr” (2019), “Rosetta” (2020), and “Crossover” (2021), confident, subjective, successful, successful, and successful. From their voice, the Saleh Début album, “Must Mean Me Me Me Musts”, takes a more ambitious and concept turning point, and imagines a romantic solution on the sidelines of the end of the world. –Shieldon Pierce (Bowry Hall; February 7)
Dance
“Me,” performs it Cameel a. Brown and dancers, It takes its title from an episode of “LoveCraft Country” from HBO, where the character is transmitted through multiple dimensions to find herself. In Brown’s works, dancers – who include dance designer, the Queen of Broadway and the Opera – know who they are. To the live result that includes hip-hop and R. & B., Bible jam, and original structures, do not perform many of themselves, in glorious dance.BS (Joyce Theater; February 5-9)
films
In a profession that started in 1988, Rob Tregenza only provided only five features, and a original style dependent on extending and complex cameras movements – greatly praised, albeit the bottom of the radar in the industry. His last movie, “Place of hunting,” It opens new dimensions in his work and in modern cinema. It was placed in a Norwegian village under German occupation during World War II. There, a priest recently arrived under the suspicions of an SS officer; A housekeeper is sent, meets secretly with the officer, to spy on the cleric. In drawing personal and political relationships from the town’s residents, TRegenza reveals a wide and disturbing network of conflicting principles and mysterious loyalties; At an amazing conclusion, it is very good to spoil, pushing historical drama to the present tense. –Richard Brody (Moma; February 6)
Selection of three
Employee Michael Shuelman On new works of cultural effects.
Clarification by Rozalina Burkova
1. Documentary theatrical band-Civilians make innovative things with existing materials. Her latest show “Radio Downtown: The Radical Seventies” live on the air “ (In 59E59, until February 9). This piece is designed from the VNYC interviews, which was conceived and directed by Steve Koson, from the WNYC interviews with Kenneth Angeer, Yvonne Rainer and other vanguard nirats, which have been formulated by a five of the five teams. (The original sound is inserted into their ears during their conversation.
2. Madison has a new book for articles, “Extremely innocent pleasure”Diaries of part of black, gay, and obsessive in Milwoki, in the nineties in the nineties and thousands of thousands; Part of these concerns are busy with the elderly such as “the new prince in the air”, “Daraya”, “Survivors”, and Saga Opera Winfrey General Loss.
3. The new Criterion channel series “Paints against the type: the heroes as a wicked” It includes the stars of the Golden Age in the roles of sabotaging their sunny characters. The options include “Do not care about beating” (1952), starring Marilyn Monroe as a troubled vitality that causes ruin when she was left to take care of a young girl; “The Boston Strangler” (1968), with Tony Cortis as a serial killer; At the right time, Elijah Kazan, “A face in the Crowd” (1957), starring Andy Griffiths as a charming man who turns a night radio fame to Dimagog Crazy.
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