Shona Lyon
Editor, Goings on
In anticipation of the 100th anniversary to New Yorker, I was looking back on old issues, starting with the opening version, on February 21, 1925, which included the first tour of the department. The sub -title, which is a “conscience calendar for events that deserves”, announced the magazine’s tone, which was established by Harold Ross, as a “promising leaf”, and Satire.
From the beginning, the evaluation entries were useful and comprehensive, including theater extracts, film conspiracies, and the full opera table – but more than that, they were often in opinion and lining, and sometimes katia, in their criticism of knowledge. Goings on initially was just a page, covering the theater, “Moving Pictures”, art, music, and charitable balls, along with other various events; In the end, over the years and over the decades, it extended to the pages and pages of lists and criticism, a real archive of the cultural life of New York City.
We are happy and we are honored to continue tradition, and we started a hundred years ago – to cover the culture of New York City and beyond, which brings you a word one of the most inspiring events, inspiration and artwork offered at the present time.
Lights
Photo by Barry Dukovic for New Yorker
stage
When Henrik Ibsen “ghosts” Débated, in 1881, general panic. (“Farrago was from syphilis and filth”, one of the Norwegian criticisms wrote to another.) The conspiracy, in which a woman suffers harshly for her sexual sexual sins, in a kind of horrors, where hidden corruption of one generation affects the following. The great Irish theater writer Mark Urwi, who has appeared in the verse “Terminus”, applies a sexual scene with a devil consisting entirely of worms, and BRUTAL, Joycean Brio, applies to a new English air conditioner at the Lincoln Center, directed by Jack O ‘Bren. The Starry Past team consists of Hamish Linklate, Billy Crudup, Lily Rabe, Ella Beatty and Levon Hawke (in the picture, from left to right) – a group with many of its family relationships with previous generations of artists, and in the case of partners for a long time Rabe and Linklater , For each other. –Helen Show (MITZI E. NewHouse; Recitations starting on February 13.)
About the city
art
When the great Ukrainian photographer Boris Mikhaleov He did not make pictures of the people who just met and himself – from a super terms, and sometimes naked – he often wandered from the early 1990s, interfering in its atmosphere of grinding but completely routine. Mikhailov shouts on both Series Cobalt Blue and the other is cloudy, and leaves both uncomfortable, emphasizes his bodies of his publications – immediately appropriately appropriate to indulge in urban despair. The artist, with his pictures of garbage, snow, huge interviews, grinding crowds, people waiting, wandering, and research, allows us to imagine a collection of films that did not exceed censorship. – – –Vince Alaili (Marian Judman; through February 22.)
Rock
In recent years, Jack White I gained a reputation as an independence device, the God’s God is obsessed with both death and presentation. Since the dissolution of the white stripes, a duo with the drama Mig -White player, it has accurately managed on an increased demo catalog and recording the analog equipment, using tools designed for individual projects, and launching his albums through a phenyl sticker, and the third is the record of the record. Last year, in a move that was somewhat reset, he surprised the sixth LP, “no name”, without noise. It was produced, written and registered by White, and it turns into an unparalleled interest in detail on the Punk Rowdy Blues, which raises the days of the glory of the stripes. –Shieldon Pierce (Brooklyn Paramount; February 12)
Dance
Image of Camella Greenwell
Over the years, dance designer Akram Khan– The British, of Bangladesh, developed a mercury and explosive dance language that is severely derived from his training in the Indian Katak. It is also a thirsty collaborator, action steps, and trade, with dancers of different traditions, including ballet (Selfie Gilim and Tamara Rojo), European contemporary dance (Sidi Larby Cherke), and Flaminko (Israel Galvan). Recently, he returned to his roots in Indian dance, as he was carrying a series of main chapters for shapes, including Natamia and Cathak. The result of this indulgence is “Gigenis”, a work of seven Indian classic dancers – including Khan – exploring topics from Mahabharata, which was re -interpreted by Khan as the story of a woman (Kabila Vino plays) who loses her husband and husband. Son of war.Marina Hares (Joyce Theater; February 12-16)
Off the Broadway
