Saturday afternoon in the West and East, as Citizens faced against ice agents On the streets of Los Angeles, “Good Night and Sweat Luck”, George Clooney’s 2005 movie became the famous CBS Newsman Edward R. Murrow Main TV eventLive broadcast from Manhattan Winter Garden Theater, by CNN and Max. It was useful for anyone with an internet connection, via the CNN, a nice gesture for the theater lovers, Clooney Stans and anyone interested in seeing a TV movie translated into a TV play.
The broadcast is broadcast as historically, and it is the first time that a direct theatrical play has been broadcast from Broadway. Although there is no controversy with this fact, plays on stage have been recorded before, and they are now. It is a great practice. I hope this is often done. Currently, PBS.org flows modern products for “Kiss Me, Kate!,” The Bob Dylan “Girl from the North Country”, “Face Yellow Face” for David Henry Hwang and Pulitzer Heroese Award for Stele’s Rocks Award “next to Normal”. The national subscription service in Britain at home offers a set of classic and modern plays, including Andrew Scott, a hot ticket in New York this spring as a Clooney theater. The archives work deeply. A trip to YouTube can hand you Richard Burton “village” or “Sunday in the park with George“With Mandy Patinken and Bernadette Peters is an indelible gift.
Clooney, with the co -star Anthony Edwards, was behind a live broadcast of “ambush”, the opening match of the fourth season of “ER” as a trembling of your private seat, a walk on walking TV in the fifties of the last century. (It was implemented twice, once for the east and once for the West Coast. (The reviews were mixed, but critics did not know everything.)
Such an episode, the “direct” element was broadcast on Saturday as a trick, although it was confirmed, at least, that no editing after production was applied, and that if anyone blew a line, or the house was invaded through Maga caps, or it was simply disrupted by members of the public who considered the huge price that he paid to obtain a ticket to the environment through the offer, this will be done on part of the radio. Nothing happened – but, it could be! (Clooney stumbled on a “simple”, but that’s all that caught it.), And she offered the reasons at home an opportunity to see a well-discussed production, only a few relatively few could see him-which he praised for the manager and enjoyed in practice-which may not come again, and the final performance is no longer the next day.
Glenn Fleisler, the left, is a friendly pillar in theater production, a role played by George Clooney in the release of the movie “Night Night and Sweat Luck”.
(Emilio Madrid)
The film, directed by Clooney and participated in his writing with Grant Hisselov (who also participated in writing the theater version), the actor appeared as a unique producer and ally and. Here, Clooney takes the most aggressive role of Murrow, while Glenn Fleesher plays friendly. It was released during the second Bush state, and the film was contemplated in the case of things through the perspective of 1954 (and Family framing letter Since 1958 about the potential potentials and failures of television), Dimagogiri, which is fueled by the fear of Senator and Yoskonen Joseph McCarthy, and Moro’s determination to take it. (See It Now episode of 1954, A report on Senator Joseph McCarthy, “ Help its end.) As in the film, McCarthy is completely represented through expected films clips, echoing the way Moro Senator founded his own words.
It is a mixture of political drama and successor – with Soupcon from office romance, represented by Weilana Glazer and Carter Hudson – even more frankly within the NEWS CBS more than the movie. I felt appropriate in 2005, before the effect of network news was resolved in Internet acid and the administration began to attack the legitimate press with threats and lawsuits; But the play discussions about Corpus, legal procedures, self -spraining media, and nature, which seem to be increasingly affected by the modern media feel contemporary. Murrow says from Clooney to his boss, William F. Bali (which is an excellent total urine, from the great: “I can not simply accept that, in each story there are two equal and logical sides in an argument.” “Crafts and arrowsAs shown here, Murrow made equal time in “See It Now”-which he hosted alongside “a person to a person” focusing on celebrities, represented by an interview with Liberace-but he greatly proved a rope for the Senator to hang himself.
Although the standard parts controlled by their computer -controlled parts can repeat rhythms and scene changes in a movie, there are clear differences between a movie, where they lead the corners of the camera and edit the story. It is an illusion in life, sewn together of cutting and cutting. Theatrical play continues in the actual time and offers one vision (it differs, of course, depending on a single sitting place), which directs your attention as you do. What are the delusions it offers, as they were, the magic of theater. It has been designed, like dance, which the actors should repeat night after night, which puts a feeling in lines that may speak to each other, but they sent to the farthest corners of the stage.
Clooney, who is considered his brilliant forehead a good match for Muro, did not try to imitate him, or perhaps she did it within the limits of theatrical delivery; It was serious and effective in the role if he did not fulfill the calm perfection of the performance of Starinn. The Scott Pask collection was an impressive standard arrangement for office space, with the support of a control room, distinctive or dark by needs; The high platform phase supported the jazz and singer group, which, as in the film, her songs were sometimes commented on this movement. Although TV crushed production in two dimensions, the broadcast seemed real and exciting; Director David Kumer allowed the camera to play on the players, instead of trying to impact cinematic through a surplus of close and disk.
Although the play generally followed the film lines, there was some rearranging the viewer, and re -setting the dialogue – it was a simplified crew – and the fulfillment of a point, or more directly until 2025. One of the characters asked about the “news door with a set of comments – what happens when Edward R. Moro is inclined to the store?” Fast montage of clips that follow news analysis and television policy – including Obama Tan Kervov suit And the AP prohibited for not kneeling Editing the Gulf of America in Trump It ends with Ilion Musk gesture with a notorious straight weaponIt seems that nothing is like a Nazi greeting – he was transferred to Clooney’s final speech.
Finally, not another, there is an audience, and your lists at the Winter Garden Theater, who laughed at jokes and praised the big speeches, transmitted by Moro. After that, inviting the curtain, to remind you that everything that happened before, the actors are fine, drink your appreciation and send you happy, cheerful, and perhaps full of hope.
It follows a round table for CNN to return you to the ground.
