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Green Day whips through its decades of pop-punk hits at Coachella

Billie Joe Armstrong has invited a sufficient number of audiences on stage to sing or play guitar Green day For a song or two, at this stage, it has developed a severe sense of the type of fans who are likely to withdraw.

But the man can never invite confrontation with a confident person like the elegant he chose on Saturday night to help end the Green Day’s performance at the Coachella Festival.

“He is handsome,” said Armstrong, who was making his way from the crowd – said the man was glowing under the lights of the theater – “Oh, he is handsome,” said Armstrong, making his way from the crowd – the man was swinging on his shoulder as if he was crying coldly from “good irony (time) on his shoulder as if he was crying coldly from” good irony (time). Then Armstrong sang the audio story while the fan played and Kochlla cameras.

“He resigned to be very professional,” said the front man with a smile.

A green day performs.

(Allen C. Shaben/Los Angeles Times)

It takes one to know one, of course: nearly 40 years after the founding of Armstrong and Bassist Mike Dirnt Trio Trio in 1987, Green Day is polished and reliable like any Rock band on the road these days. The group (which also includes the TRé Cool player, who joined in 1990) for decades of pop bank injuries at speed and accuracy, even when he visits the size of the places he visited-last year, Green Day toured the stadiums to celebrate the anniversary of 1994 “Dookie” in 1994 and “America America America” ​​for the year 2004.

Here, as one of the rare rock works that lead Coachella over the past decade or so, Armstrong has known and his colleagues in the band have known how to involve the giant festival crowd with communication, response procedures and a clear video production.

However, when the group was guided by “basketball”, “vacation”, “Welcome to Heaven”, “LongView” and “Brain Stew”, you will never forget that you were watching the evil trio once. The Day Green still comments on the magical enthusiasm that operated its main penetration in the mid -1990s.

Armstrong performs.

Armstrong performs.

(Allen C. Shaben/Los Angeles Times)

As he was doing for years, Armstrong has modified a lyrical amendment about a “backward agenda” in “American Idiot” to protest the “Maga Agency”; He also changed a line in “Jesus from the suburbs” to express his interest in “children from Palestine”.

Al -Akhdar day cleared some new melodies last year.SaviorIncluding “Bobby sox”, which the man described as a kind of strange love song. But most of them were this sure performance that was usually about visits – cunning, emotional, and sometimes, which was built popular today’s popularity.

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