The world is craving Donald TrumpDeclaration of the major tariff, which was developed by Potus as “Liberation Day”.
No nation has escaped from DefinitionsAnd Trump mentioned daily since his return to the White House and is in the foundation line by 10 %, more than 50 % rises in places like China.
Given the amount of what helped the movie Mega American Movie and TV BIZ local industries around the world, we have woke up to the tension on how all this affects international, especially in the younger countries that have become largely dependent on the American fare or sell it to the states.
Sources from the international sector were in contact with concerns about what might happen next to its ability to sell offers in the United States, whether American production abroad would happen and the future of local banners, which the latter was feeling the heat of the Trump administration in the past few weeks.
The good news is that it is an early conversation that the customs tariff will not be slaughtered specifically to the production or sale of TV programs or movies in the United States, as these are services instead of goods, and that producers and distributors were telling us that their ability to sell to the states will not be suddenly dismantled.
“We have not yet indicated that this will apply to our services,” said John McFai, who runs the UK Trade Authority Agreement, and is in constant contact with the base of members of the producers hundreds of producers. A source working with a body that deals with American networks also sought to reduce the impact of the effect here. “Trump’s tariff revolves around it [things like cars] Not things like media. There may be some concessions about technology, but I don’t really see a clear impact after that. ”
While noting that “services excluded” and “this is the most important thing for countries like the United Kingdom that depends more on export services,” said Esers, who has used the Enders analysis management, a commercial expert, said that global advertising revenues can reach heavily. Marketing budgets may be reduced as customs tariffs have struck local economies and there may be more influence on Americans who choose less spending on advertising abroad. Enders explains that this will be a nightmare for the world’s sick broadcasters, who are already facing competition from multiple fronts.
“I would like to say that the main effect directly outside the bats is the advertisement,” Anders said. “It is clear that this is not good for any economy at the present time. We were in a lust after the epidemic and this could not be helpful to recover.”
We are close to the European Broadcasting Union, which represents the interests of commercial broadcasters to comment.
“Hollywood wants to restore its golden age”
“Lupine”: Made by Netflix in France.
Netflix
But although the customs tariff should not technically apply to TV programs or movies, there are concerns that the protectionist values that the Trump administration preaches will lead large studios and plays to return from making content abroad.
In January, Jay Hunt, head of the British Film Institute, said that she was concerned about “some very protectionist about Hollywood”, as it was clearly a reference to the new Trump government (we approached BFI for more comment). At the same time, since La Wilfires was a renewed campaign to reproduce to Hollywood, with the deadline for the deadline yesterday that a small group is working on a local solution to help bring mid -budget films to the city. This plan includes Reducing “arduous and allowing” as well as “unnecessary fees and uninterrupted safety requirements.”
Another large source from a commercial body said: “The definitions may not apply, but this does not mean that Trump will not put pressure on American companies to transfer their production to the United States, I think this is the main concern of producers given the potential policies of the new US government,” said another large source from a commercial body.
Throughout the world, the red flags waved that this protectionism can extend to the obligations of local content, which has become the cornerstone of some areas over the past few years.
The direction of audiovisual media services in Europe allows the individual European countries to impose financial obligations and content quotas on banners. Many regions have strengthened this world, including in Europe, Australia and Canada Running Services benefit from the cheapest production centers. But forcing American companies to produce content abroad when they can spend their dollars at home is not commensurate with the Trump talisman.
After several weeks, the White House memo criticized these directives that “require American broadcasting services to finance local production.” Since then, the MPA Association has highlighted “incompatible investment obligations in Europe” and has surveyed the base of its strong members on this topic. We have contacted MPA this morning to comment about the following steps.
Local obligations were not surprising, a major point of discussion in the Mania series last week. Olivier Hanard, MD deputy at the National Cinema Center in France (CNC), gave a strong speech in which Hollywood warned [wants] To restore its golden age, a golden era is supposed to have lost fleeing production in foreign countries and regulations that require investment in local products. ”
“Therefore, we must expect a more aggressive way towards our European audiovisual sector,” Hanard claimed. “On this background, I am convinced of one thing: we have to interact collectively, as Europeans.”
Instead, Henrrard called for “more ambitious classes” than ever, which raises the idea of at least 50 % of European works on banners in every European country.
In Australia, the Screen Producers Authority rushed to go out on the front foot today, as it issued a statement welcoming the statements of Prime Minister Anthony Albaniz that “the Australian government strongly supports the rules of local content on broadcasting services until” Australian stories on Australian screens “. The animation, which sought to resist the rules of local content, delay and read it in the free trade agreement in Australia to Australia 2004, “added the screen producers in Australia (SPA).
Local industries will undoubtedly remain nervous. In many of these sectors, signs raised prices up, which makes the content more difficult, so the sudden dispute will be disastrous.
What is definitely is how Satan will be, as it was always, in detail. Verse and bodies in the multiple industry told us that they are still listening to printing small tariffs and will respond as soon as they are more confident than how they were affected by Trump’s “liberation day”.
Thinking is greater than just television and films, Enders believes that Trump’s tariff is a “huge shift in the model”, and the world will be foolish to try to play the previous one trainee He hosts his own game.
She added: “There is a fallacy that revolves around negotiation and” the art of the deal, “and so on, because it is not.” “Trump wants to reformulate manufacturing and you can only do this if the tariff is permanent. How long will this continue? As long as Trump wants to continue.”
