Iran’s Jafar Panahi’s Revenge Story

The constructive Iranian director Jaafar Banahi He has undertaken unjustified procedures in prison in Iran, but he always talks about the truth in his films. The last thing he saw came out in 2022 and is now free to travel again, but the experience affected him to the degree of his new movie, It was just an accidentand He deals in a fictional manner with the wrongful working class prisoners who seek to take revenge on the guard who tortured and reprimanded them. Its global show was the presentation today in He was The Film Festival is an official choice in the competition. Banhai was previously in 2018 3 faces, He won the camera or for his first movie White balloon In 1995, the Jury Award at the United Nations Gold crimson In 2003.
What might surprise the masses with It was just an accident It is the amount of humor that enables the director to be packaged in this movie, that is, even the scene of the final confrontation, chilling and a permanent image that would give you chills.
The movie opens as we watch a family leading home on a dark road when the car suddenly seems to hit something. The father comes out and sees a dog with suffering and the camera takes it out of his misery. The drive continues until they reach the house, but before that happens, Vahid (Vahid Mubasseri), a mechanic, gets a disturbing call and picks up a motorcycle immediately ultimately in catching a car now. He watches a distance from a distance putting the car in the garage, and returned the next morning in his car waiting when the cloud truck transportes it to the store.
Then he follows the Father who will reveal that he is the man named Iaghal (Ibrahim Aziz) believes that he is tormented when he was thrown in prison just because he asked for his reward, as he imagines him, dressed him and his gangs blindfolded, and transferred him to the desert where he prepared him for burial. The father pleads with his life because dirt is bulldozed in his face, unable to understand what Vahid does for him. Vahid believes that he has a man called PEG Leg and other prisoners who called the style because of the fact that he lost his leg and wears artificially making a distinctive voice every time he was in contact with it. Since he was tending to this man who had an artificial leg, he fruit, but then he has doubts when the frightening man appears convincing in his denial. It needs another opinion.
Others are then brought to the event because we learn each of them in the same prison, including a photographer named Shiva (Maryam Adashari), who is in the middle of a wedding photo with a bride (Hadis Pacquatin) and the groom (Majid Banahi), who was stopped by Al -Fuhaid the anxiety that was now the man in a square in his box. Shiva wants to confirm identity. She believes this is possible, and he nourishes her anger again, but she is not 100 % sure. Then it turned out that the bride was a victim as well and like Hell to take revenge. Vahid invites another friend to check the identity-warm Al-Harid who is rapidly determined He is One wants to kill him. Hamid is full of conspiracy theories and believes that the authorities will get it because this is all kind of preparation. Everything becomes a completely ridiculous and funny position as the group travels with its prey on the back of the truck in an attempt to know the best path forward.
There are more than a few laughs in this film despite the seriousness of the treatment that these poor spirits gave them by the government without a good reason, workers in their lives. No wonder they have such strong feelings, but to see a budget of this bride, including the bride and the fully dressed groom (which is the only one who did not participate in the prison experience) resembles a farce.
In the end a lot no , Banahi’s absolute skill for falsifying school changes is impressive at the very least. The film has a lot to say about Iran’s cruel nature in just throwing anyone in prison without an applicable reason. It acquires new global importance because it is now in America with the immigration crisis, and is spreading to other parts of the world with authoritarian regimes. It was just an accident It is a strong statement of humanity and acts as a warning that you see your back better. It can happen anywhere. This film lights up a significant highlight on those who are exposed to the victim, and this includes the brave director of the film who traveled to the Cannes Festival with his team for this first show.
Producers are Banha and Philip Martin.
address: It was just an accident
festival: Festival Festival Festival – The official choice in competition
Sales agent: M2K movies
Director/script: Jaafar Banahi
Empty: Vahid Mubasseri, Maryam Affshari, Mohhamad Pollylymehr, Majid Panahi, Georges Hashemzadea, Ebrahim Azzi, Delmaz Najafi, Affssaneh Najamabadi.
Running time: 1 hour and 45 minutes