Jackie Chanand Bruce LeeJet Li may soon return to international screens in the form of a revival.
In 27 Shanghai International Film FestivalThe China Film Foundation and partners launched two specialties Amnesty InternationalThe initiatives moved by the Kung Fu Heritage Project: a large -scale voltage to restore 100 films of classic martial arts using artificial intelligence, and revealed a completely new animated feature, “Best Tomorrow: Electronic Borders”, which is described as the first fully moving feature film in the world.
The restoration project aims to Remaster 100 of Kung Fu films, using artificial intelligence to enhance image, sound and total production quality while preserving the story of stories and the aesthetic of the original copies. The organizers described it as a long -term commitment to revive the cultural and cinematic heritage of Chinese fighting cinema.
“From Bruce Lee to Jackie Chan, from” Crashing Tiger, the hidden dragon “to” Wolf Warrior “, these films showed the world’s vitality and spirit of the Chinese people. “It is the world’s cinematic cards.”
The titles that are appointed to restore artificial intelligence include “Fist of France”, “The Big Boss”, “Once in China” and “Master Master”, among others. Tian Ming, president of Canxing Media, confirmed that ten hundred films will be prioritized in the first stage of development, with 100 million yuan ($ 13.9 million) to support this effort.
Tian said: “Artificial intelligence is the brush, but creativity is the soul.” “The classic Kung Fu films embody the spiritual spine of China. We are calling on global partners to join this cultural and technological restoration.”
Separately, the event also appeared the first show of “A Better Tomorow: Cyber Border”, which is the Cyberpunk of John Woo Crime Classic, produced by Quantum Animation. The film was created using a full -tissue AI pipeline, and it covers everything from text programming and modeling to animation and display.
“This entire official feature has been made by only 30 people,” said producer Zhang Cheng. “Artificial intelligence has collapsed between creativity and implementation. The production cycle has moved from years to months.”
“Cyber Border” was presented as the first fully animated feature in the world, “cyber borders” as a sign of the future of the future of Chinese stories-combating the arts of fighting, future aesthetics, and new production patterns. Zhang also urged Chinese creative to overcome traditional coordination and expand IP in interactive forms such as global competitive fighting games.
“Why are the world’s largest fighting games not Chinese, when they borrow all Chinese moves?” He asked. “We need to build the next street fighter from our IPS like Wong Fei-Hung and Nezha.”
The organizational support of both initiatives has been emphasized throughout the event. Ho Tau, from the Research Center of the National Radio and Television Department, was martyred with the modern policy measures related to the prosecution-including the temporary measures of 2023 for the management of obstetric intelligence services and the rules for developing the 2025 content for the content created from artificial intelligence-as it is necessary to support the health development of the IQ Agency in the media sector.
“Artificial intelligence is not a tool – it is a new infrastructure,” he said. “It turns the script writing, effects, dubbing and distribution. In short films and small drama, artificial intelligence has already become standard.”
The newly established academic-academic center in Shanghai will be a major center for talent and experimentation training, joining similar bases in XI’an, Wuhan and Xiamen. The officials said that the national farms in Gitcho have cut some time to prepare visual effects from more than 400 days to 24 hours.
The launch event was concluded with the greeting of the old warriors in the industry, including the work star, Yu Rongangujanj, screenwriter Zhang Tan and producer Yuan Hong, all of whom were honored as shareholders in the broader project.
“I spent 40 years to do anything but Kong Fu films,” said Yuan. “If I have any remaining power, I will devote it to this plan.”
“Kung Fu films revolve around growth, spirit and dignity. With artificial intelligence, we do not erase the past – we give it a second wind,” added Zhang Tan.
