Who knows if Kendrick Lamar will sit to formally deposit in the Drake’s continuous lawsuit against Group Universal Music Group, after Lamar rid him of “not like us.” But at the Sufi stadium on Wednesday, Lamar and his participant SZA had a repeated thing to imagine what might happen.
In montage a fake video clip that was played between the specified conversions, Lamar responded to the easy message such as, “When you said that you want the party to die, was this metaphor or are you serious?” And “Do you not think that disappearance is a form of attention to attention?” By blowing it and calling the big order of eating abroad. Then Sza lit a massive joint in the lawyer’s office.
The Great National Sequen Tour is a victory other than that. The Wednesday collection-the first Sophie platform was a three-night and accurate exhibition for three hours focused on intimate friendship between two of the most important works in contemporary music. They had a evil feeling of humor about performance as well. At one point, Sza lured a giant dancer dancer. If we all have the same space when removing.
Lamar, who starts a pair of victory over “not like us” and the hateful Suppty Bowl show, may be at the height of his career. So, it is worth noting the inspiration of equality in this offer in his hometown-free sequence-free division with the former TDE colleague Sza, and their combinations are often adjusted together for their cooperation in the registry. Coordination brought new energy and an understanding in its catalogs, all while the spouses gave each other as the performance of live artists.
Kendrick Lamar and Sza in Grammys 2016.
(Lester Cohen / WireMage)
On Wednesday, it can be said that SZA has benefited from an opportunity the size of the stadium. Sza is a powerful singer and musician with a comic timing from Stoner (recently seen in the charming comedy movie “One Than Days”). But she now sharpened her weeds to be equal with any pop kings. Between “snooze” and “Crybaby”, it was raised on the wires, and revealed a gauze train in the form of Chrysalis, to the effect. It took some real lifting to perform his story, “No one gets to me.”
A sudden veil from Lizzo proved alms to his long friendship, and a slice of “Drake Rich Baby Daddy” has proven that she could have enemy materials with their attractiveness. When “Garden (Say it Like DAT)” in the “kitchen”, the dancers felt glamorous, insect fashion and homogeneous sculpting sculpture as if human resources were taking mushrooms in the warm afternoon in the Kenneth Han entertainment area.
When she and the theater participated, as is the case with “All the Stars” and “30 of 30” and “30”, and the individual cut themselves “doves in the wind” and “love”, there was a generous between two superiority, and their physical existence through diamonds in the form of diamonds reactivates this long music.
At this stage, Lamar’s case was closed to being the best alive rapper. Of course it is. Even if you think the title was a bit volatile after “MRALELE & The Big Steppers”, “Not Like” acid, and the sudden “GNX”, closed the discussion while declining after success. Who could make an ideal indictment for the current American political climate on the stage at Super Bowl, while ignoring his most hated enemy and spinning themes with a quick smile on Bootcut jeans?
In Sophie, a few miles away from the backyard of the ancient compound, moved from this huge catalog and returned his text to this ready -made age of the club. The exhibition format covered more than 50 songs between the artists, so even when it only reached a verse or two, there has always been something new or prepared. Here, “Maad City”, which is one of the most difficult and sediments of the streets, has become a Meta-R&b number that made the song more strange. On the “humble,” was surrounded by dancers who thought in evil geometric forms, physically embodied the examination of the ego in the song’s choir.
Drake Flame-War was a delicious pleasure, from the verse of the match that the shots presented on “such” to the irony that is unavoidable on “euphoria”. But the “GNX” slices, such as “Incarnation” full of smoothness and the cold “Peekaboo” (clearly that the great mustard of “TV Off”) has explained how this album will continue to reveal a new body and echo in Laor. There was no room for the “Pop Out: Ken & Friends” group. But when he operated it, it was less than his enemy than Los Angeles, a city with a new song in Sharia, which is “we are” final that was all in its screaming.
I felt that Lamar and Sza were reunaging them again to the group, which is “Luther” hot “Luther” (now in 13 weeks in No. 1) and “Gloria”, Lamar’s taste about his complex relationship with his writing process. With Sza as a Greek choir, he finished tonight in a note about how all this uncompromising work was worth reaching real understanding. An ally will never fail, regardless of who expands you.
