Latin Mafia members on debut album, touring and trusting instincts
![Latin Mafia members on debut album, touring and trusting instincts Latin Mafia members on debut album, touring and trusting instincts](https://ca-times.brightspotcdn.com/dims4/default/527230f/2147483647/strip/true/crop/4672x2453+0+1855/resize/1200x630!/quality/75/?url=https%3A%2F%2Fcalifornia-times-brightspot.s3.amazonaws.com%2F1f%2Fe8%2F89dcc6e640129783fa026299f800%2Fla-de-los-latin-mafia-handouts-3.jpg)
The last 12 months were full of the first for de la Rosa brothers, known as the Latin musical triple mafia.
In April, the original Citizen City City for the first time in the United States at the Cochli Valley Festival for Music and Arts in Indio. In July, the band fell with Puerto Rico Regetone, the Rimas Entertainment, making Bad Bunny Mate Its Mate. In October, the trio issued his full record for the first time, “Todos Los Días ToDo El DíA”. Now, the brothers are taking place on their opening American tour, a 17 -point trip that started on January 22 with a sale in Hollywood Paladium.
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Before taking the theater in the famous La place, the twin singers Milton and Emilio, 22, and producer Mike de la Rosa, 24, found themselves in a queue in the Harion bar. While they are immersed in the cauliflower of Bovalo in the advanced Boufalo and rise to the boutique stores in Los Angeles, it was not tense at all. Trust is something that was their ascension to fame.
“We all have a similar mentality. Mike de la Rosa said:” We had a feeling that music would work for us. “But she still feels a dream that is being fulfilled, because you never know.”
The Latin mafia Mike de la Rosa, Emilio de la Rosa and Milton de la Rosa.
(Directive)
The siblings have always been associated with making music, but that was not even decided to take the Covid-19 gate to take it seriously. Like many of their teenage counterparts, they turned into Tiktok as a creative outlet. Their early videos through the scenes include the process of mixing it type and redesigning the famous Latin songs with new words. Their fixed spread led to small followers. On the other hand, their early individuals, such as the dreamer Latin pop track “Julieta” and “No Digas Nada”, had a ready audience.
It was not even “Julietota”, the REGGAETON path, which is built in the last 30 seconds of “Julieta”, and the Latin mafia videos began exceeding one million views. With Perreo’s song, the band members break the algorithm. A long time ago, they collaborated with his colleague in the Mexican pop on “Patadas de Ahogado”. The emotional story was 2023 200 million times have been broadcast on Spotify, This makes it the most popular song in the Latin mafia yet.
Through these versions that reach back, the trio began selling squares in Mexico and performing in the country’s musical festivals-all without a full project of his name or backup copy of the recording. The voice of the brothers, who swings in types such as Pop, R&B and Latin Trap, helped to distinguish them from other works of Música Mexicana.
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“I don’t think we are doing something always different. Milton de la Rosa said of the effects of the Latin mafia:” We live at a time when everything has already been invented. “We are just trying to do something we love in our own way.”
Continue to follow these vocal instincts with “Todos Los Días Todo El DíA”. As a turning point for the rising trio, they raise their voice by converting their pop style in the early bedroom into a more accurate and accurate experimental reflection.
“I always say when you only listen to music, and sometimes it will be just sad,” Emilio said. “But you can feel it when you can say something, when you can understand it, when you can give part of yourself to the people who listen to you – when it becomes real.”
Mike attributes this ability to a series of “happy accidents”. Depending on their collective experiences with anxiety, depression and sorrow, they say that they give priority to the raw passion and confidence in their intestinal feelings in their creative process.
While making the album, the twins say they will run circles around the studio while Mike was playing different drums. When chasing each other from one side to another and tending to young energy in the early twenties, they remember that some extent when Mike’s barrels resonated with them. The brothers wander around him, the brothers will begin in the brainstorming of what could be mixed together or the feeling of the path is raising.
“We want to enjoy while making music. There is no specific way to make music. We are only playing, and if it looks good, we are chasing it. Milton said:” For some reason, it sometimes ends with ingenuity. “
![Three men stand close to each other, with the other two with their hands on their heads.](https://ca-times.brightspotcdn.com/dims4/default/ed6cb9d/2147483647/strip/true/crop/3000x3586+0+0/resize/2000x2391!/quality/75/?url=https%3A%2F%2Fcalifornia-times-brightspot.s3.amazonaws.com%2F2d%2F01%2F4d64a49b46caa1278d2f9096678a%2Fla-de-los-latin-mafia-handouts-4.jpg)
Latin Mafia – Mike de la Rosa, Emilio de la Rosa and Milton de la Rosa.
(Directive)
The opening track of the album, “SIENTO Que Merezco Más”, determines the tone. It provides the ability of the brothers to transform the gears into an individual path, where listeners take to Mexico with a distorted sample of street members in the city, and flood moments of the story acquired with angry pioneering feeling and support for flashes of electronic garage production. From the piano-backed trap on “Nunca He Sido Honesto” to the sudden synthesis of “Vivo Si Me Exiges” and peaceful coordination on “Me Estoy Cayendo”, the record succeeds in following the unexpected Latin mafia format of the exciting and exciting key and the exciting UPS.
Critics immediately embraced “Todos Los Días ToDo El DíA”, which appeared on many Better than Latin music In 2024 Lists.
For Di Rosa brothers, “Todus Los Dias Todo Dia”, is a tribute to the most important people in their lives – their families and friends. The final track, “Tengo Mucho Ruido” ends with their elderly grandfather. As the echo fades, bless them and wish them safety.
“We wanted to be able to listen to her voice over and over again,” Milton said. “Music is made for memories. It has been designed to freeze moments in time and bring color to these memories. My biggest fear is forgetting, but I know that our music will always be here to remind me over and over again by all the people I love.”
Now, each of their grandmother and “Muchaitos Trampos” can find peace in the final notes of the album.