Lilo & Stitch Director Responds To Ending Backlash
Spoilers follow Lilo and GMT.
At this stage, a new edition of the work Lilo and GMT You have made a lot of money, if you are reading this, you may have seen him twice.
It is also possible to realize that the new version is making a file a lot From the changes to the original plot of the 2002 moving movie – and that People are not happy About the biggest change in the end, which Nani sees Lilo leaving behind Hawaii To study marine biology in San Diego.
In a new interview with diverseRemake Dean Fleischer Camp addressed the reverse reaction to the end of the movie for the first time. “I had some time to think about this,” he said. “I think a good amount of people who overcame this hypothesis did not see the movie, and they are clearly writing for me the wrong things. They are mistaken in the story. But when you see it, he does not feel this way at all, and you see the intention of making actual films.”
“There are two larger conversations that led us to that end. We wanted to expand the meaning of OHana, and its establishment in the traditional Hawaiian values of the group, the extended family and society. [Screenwriter Chris Kekaniokalani Bright]From Hawaii, he really made an important note about the original origin from our discussions. He did not buy that two sisters, Yitayan, will give themselves to a motive for themselves. He said: “The neighbors, ecclesiastical groups, aunts and uncles, all of these people intervene. This is just Hawaii that I know and grow up.”
“This led to the creation of this character from Toto, and it eventually takes Lilo in the role of Hanai, which is this term and traditions that are culturally defined and is a form of informal adoption. It is not related to blood or leaves, but love and responsibility for the greatest good and society.”
Dean went on to say that Hawaii who watched the movie “Love” referring to Hanai, which is “this unique answer from Hawaii on the issue of who appears when things collapse, and the idea of informal adoption. It shows the willingness of the broader society to sacrifice and do everything that these girls require and the Wahna.”
He also pointed to the difficulty of the goal of “satisfying everyone” when it comes to reshaping the beloved properties like Lilo and GMT. “You are taking a holy land when you make one of these films, because these are films that originated with people, and I am one of them, and I understand them completely. But we did not want to restore the original movie pulses, as much as we loved each of them.”
“We wanted to tell a honest story about what it means to lose everything and we still find a way to move forward. People are left behind, as Nani says, this is something that society must ensure that they do not forget them.”
You can read the entire interview here.
