Designers need to “rethink mainly in our relationship with the natural world,” according to a new exhibition coordinator that argues that the needs of nature and animals should be considered when creating homes, buildings and products.
Justin McKerkk, the next exhibition secretary than the human exhibition at the London Design Museum, said that our “human -centered” approach to design needs radical reform with the world’s adaptation to the climate crisis.
He said: “We are stuck in the carbon accounting model, which is about doing everything exactly as we are currently doing, slightly less than bad.” “This will not really cut it.”
Mcguirk believes that there should be a “basic transformation in the position” for all designers.
He said: “Each design project needs to think about how it affects other species, either reduce its impact on other species, or to perfectly enhance the health of other species.”
The human exhibition displays more than a person, which opens on July 11, ideas for how the design world achieves the transformation that McGuirk calls and others.
There is a suite designed specifically to encourage insects to the nest abroad, a project in New York where the wave cutter was built using a colony of shellfish instead of concrete, and it is characterized by the “huge seaweed installation” of the artist Julia Lahamman.
Innovative design ideas that help Registration rates about The world is also listed.
Live marine walls in Living Living Living – the artificial habitat for marine life – will be displayed Natural reef structures.
McGursk said that there is a feeling that humans are separate from nature. “We extract what we need and then build what we want. But in reality, we are interconnected with all these living systems, so it is really a new way to think we are trying to encourage.”
More than the human movement appeared for the first time in the late 1990s when David Abram, the scientist of the cultural environment, the Geo Felosofer and the performance artist, was Form. I have since moved from the theory to the real world.
“This was not theoretically, about 20 years ago,” said McGuwaryk. “But I noticed from a younger generation of designers that this has become a way to think for them.”
The exhibition is the first artistic cooperation between the Design Museum and the National Design Research Program, Future Observatory, which was launched in 2021 and the new design champions of design in environmental issues.
“It is important for museums and cultural institutions to respond to the complex issues facing our planet and our society at the present time. It is also important to transform views from the world’s human point of view to a person closer to nature, which will make this a prominent exhibition in the full sense of the word,” said Tim Marlow, director and executive director of the Design Museum.
