At the end of February 16, broadcast from “”SNL50“Sayurday Night Live” for the American culture, Martin Shukr Shukr, the executive producer and creator of the series Lauren MichaelsHe described it “The man who made our dreams true.”
It seems that Michaels – who was not kept in popular culture, including in this very broadcast – is very familiar and far. In the film, MIEN presented an eccentric, mainly for the villain of Mike Mayers “Austin Powers” Dr. Eiffel; In “SNL50”, his best supposed friend of growth in Canada (his Phasa Bayer and Farid Armisin) played him to his necessary administrative style when they helped him move. On the stage, at a distinctive three -hour end, it seems that he had elaborated his sensitivity, was unwanted, but let others talk about it.
We have evidence that this role is more comfortable for him. The new CV, “Lauren”, to the journalist Susan Morrison, reveals an amazing professional ambition: after William Sean launched, after the New Yorker team launched the office space. He had a desire behind Sean himself.
Surprising desire: Is Michaels a particularly talented prose designer? It is not known. But then, is he, he is a particularly funny person? Five decades of sitting on the top of the American comedy pile, and this details are not fully known as well. The effective effective tool for Michaels’s success was his coordinated gift. Magazine editor – which is good, in any case – sometimes raises the repulsive sounds and collects them together under a unified home style. Michaels, who gathered from lands and the second city, and after that, on social media, collected generations of comedians in the broadcast service that was alternately described as his time, historian, nostalgia, and the thing we need now.
“SNL50” was all these things, or none of them: it was a complete statement of itself, which is a fun and cheerful journey through years of American history in which “SNL” was the only reference. Like a talented editor, Michaels was always pleased with the position of unexpected groups of talents in the conversation; Paul Simon, a movie “SNL” since its creation and American musical culture is still longer, with the 25 -year -old pop star Sabrina Sabrina to open the show, for example. Some Michaels collections worked better than others: The last drawing update “Domingo”, which was now reviewed to include the “SNL” short stars and Mulla Shannon, was magic The song is by Sinid O’Connor, and the “SNL” performance is on its way to Pilory after it came out of the half and a picture of the door on the air.
But then, Michaels’ sensitivity, which – through “SNL” and shows, continued her talent, including many feature films and TV shows from “The Office” to “30 Rock” – our culture is one of walking to a line and curiosity The scenes, while it does not cross it completely. Tom Hanks, on “SNL50”, presented a montage of characters from the past, who were unable to shoot it for sensitive reasons; There seems to be mysterious energy, mysterious for the piece, as if the show tends to tell a joke that it cannot be repeated in a polite company.
All this is Michaels, a character that is difficult to know only through his work. Morrison’s biography draws a picture of a personality that is evacuated and feared by his subordinates; Bowen Yang and Andy Samberg digital on “SNL50”, about the anxiety that all the staff of the show feels and loaned. Fear is justified, perhaps: Michael’s great achievement created a melting bowl where all the elements of our culture, over many years, ripen and appear, sometimes lukewarm, where the curriculum needs consumption to prepare for water- cold or algorithm. Cabbly, it is of changing quality. But it is really good.
