Under Trump’s second presidency, America feels fear of its borders and potential terrorists who may enter through it. Britain, under the relatively liberal Kerr Starmer rule, feels more specialized: that its citizens will leave the country and then return as rebels. This scenario, which seems unlikely, appeared in real life in 2015, when the 15 -year -old London student Shamima Begum traveled with two friends to Turkey and crossed the border to Syria, where they became jihadists. Bridal He lived in misery. When it was found four years later, in a refugee camp in northern Syria, Pegum topped the news for the second time, this time because it became sexual by the conservative government.
Certainly, the Bejojoom issue is an unannounced factor behind the theatrical writer Nadia VallThe first feature of. Written by Suhaila Al -Bushra – who spent her time in the book room Nada MansourIt has been underestimated We are parts of a ladyIt is a British comedy series that revolves around the Banc Muslim band, which can be discovered in some dry humor in the movie – Bridal It is an impressive and purposeful attempt behind the main headlines.
It is interesting that the drama (but not decisively) stops at the Syrian border, and although it is often emphasized that Bejoom and her friends were deliberately prepared by an intelligence officer, the writer and director are not interested in justifying or reducing this Drama. Girls ’actions. instead of, Bridal It is a simple study of the alienation of adolescents, and in detail the ideal storm in which the prosperous feelings and frustrations come out from the scope of control in a frightening way.
The film takes place in England 2014, where the student Du (worship Hassan) starts from her home in the suburbs with the dawn of dawn. Du is particularly keen not to issue any noise as it moves on its way through the shoes that were elegantly left in pairs on the stairs. There seems to be something strange, and when she joins her friend Mona (Safia Ingar) on a passenger train heading to a London International Airports, this feeling is uncomfortable. The two girls are Muslim, but they are different. Du, from Somalia, is calm and studied, while Mona, from a Pakistani family, bold and impulsive, and sometimes, is anxiously aggressive.
Mona leads the exploratory trip, which the two girls treat as a school trip, shopping via store fronts in the free market and playing “F*CK-Marry-Kill” in a fast food restaurant while waiting to board the plane heading to Istanbul. . They jokingly say this ice cream will be their last dinner. “They will be lentils and rice after that,” Mona says, and she is naively expecting that the only candy they will arrive will be halal Haribu. But although Mona seems to control matters, a mysterious contact was paving the way for girls to meet when he was in home. But the contact did not arrive, which should knock on the alarm bells. no; Instead, the girls continue their campaign, as they booked a bus to a city near the Syrian border.
In the absence of the contact, Mona does a very good job in saving the task, and becoming optimistic whenever Du shows signs of guarantee (the first time occurs when a torrent of text messages from her mother begins to arrive, starting with the tragic, disturbing message, “Did she get milk?”). A second red flag appears when the girls ’money and passports are stolen. “God wants us to return to our homes,” says Du. Mona says, “He is testing us,” she says. Either way, Mona does not look back. “Do not contact your homeland until we reach the border,” she insists.
While the two girls make their way to the border, it soon becomes clear that the secondary destination for the trip, and along the way, the editor goes, Fiona Desouza, to the extreme in its duties as the film moves between the past and the present brilliantly. Fill the lost parts of the puzzle without sacrificing any sense of the comprehensive path of the story. Racism plays a partial and total level here; Du and Mona are linked to the bullying that they are exposed to at school and home, but at the global level, they also sympathize with the plight of their Muslim brothers and sisters, which appear in harsh news footage. The subject of femininity is also an issue, and the marginalization of women and girls in both eastern and western societies is a topic referred to in the title of the film full of mockery.
Related to: The screen of the movie “The Legend of Occ”
In terms of performance, both heroes are excellent, although the most experienced igar is the one who does most heavy work, as it is the character that should serve as a catalyst for a story that may seem far if it had not already happened. For those who have already made their decision regarding immigrants and Muslims, the Fall movie will not make any difference. But for those who tend to leave, Bridal It is a great attempt to give the human character to a difficult topic and move forward towards human character’s hot topic of extremism online.
address: Bridal
festival: Sandans (International Dramatic Cinema Competition)
Sales agent: Banixide movies
exit: Nadia Vall
screenwriter: Suhaila Al -Bushra
Empty: Ubada Hassan, Safiya Inarg, Yousry and Rasma, Samri Abuzia, Aziz Kabrart
Running time: 1 hour and 33 minutes
