PreSonus Quantum HD Review: A Seamless Recording Tool

For the longest Time, I have struggled with cumin when recording the sound, or the time it takes to record the recording on the screen. I was connecting my front interface on my computer, getting all the classified drums, and facing difficulty getting my things to synchronize with everything I was trying to record. the The first generation From Pressonus quantum facades, my problems solved a decade ago. They used Thunderbolt connections faster than USB to give me a semi -zero delay, thanks in part to a connection that does not emerge in Presonus Studio One.

The latest Pressonus HD HD facades sparked the latest use factor further. You can get a USB-C connection, equal design, better screen, and front tools designed in cooperation with Presonus Pateer Fender. There is so far an automatic gain level on the inputs, which means that one person can prepare a large studio himself.

If you are after an affordable sound interface that competes with heavy hunger from Universal Audio, APOGEE, Focusrite, Audient, or SSL, among other things, Pressonus Quantum HD models are wonderful and wonderful. If you are a studio user, it is irrational.

Voice boxers

Both HD 2 and HD 8 models are not much, designed to hide on the desktop for serious home studio lovers from other games. Both black boxes with blue accents and color screens, and they look relatively unwanted when they are not in use. (This is nice for expensive studio equipment, which can sometimes cry “stealing me!”) The largest model is installed on the shelf, and the smaller designed to use the desktop or mobile phone, although you can easily adjust the largest part of the desk as you did If you do it, you have no shelf to install.

The construction of the unit is solid and metal, with large holes on the sides to keep it cold during the longest tracking sessions. I like it only requires a standard capacity cable from three leukens, so you do not have to handle the weight of the wall, and that it quickly connects to any modern USB-C device.

I have long been used from everything from everything Faderport control units (USB devices that allow you to use Faders to control operation Most DAW programs) And Monitoring station (External box where you can connect it and swap between multiple speakers with pressing a simple button). The equipment works well and costs less than most competitors.

The pro -class equations such as Universal Audio and Apoge can cost a few complications and many complications, depending on the category, and it does not seem really better in my experience. Quantitative HD facades compete easily The models are 8 common of 8 inputs from Universal Audio In terms of sound and quality building. Global sound models are the golden standard in the category at the present time, and cost more than twice each unit for each unit.

Studio One immediately gets to know HD HD 8 and plays well, allowing you to do things like playing 48 V. Power Power for condensed microphones and setting levels within the program, instead of having to use some strange interface programs between the interface and DAW.

Photo: Parker Hall