address: A malicious life! (It is also known as the black genius burden)
to divide: First offer
exit: “Questlove” Thompson
Logan: Examining the life and legacy of the Sleg & the Family Stone – the leading band led by the charismatic and mysterious stone – picks up the boarding of the band, its reign, and its subsequent fading while shedding light on the invisible burden that comes with success for black artists in America. The Oscar -winning director of “Questlove” Thompson returns to the festival with a deep and deep exploration that avoids traditional CV techniques. The film immediately wrapped us in the talent of the unusual Sly Stone, while asking: “What is the burden of the black genius?”
Sales agent: Disney
Committee members: Prince of “Questlove” Thompson (Director/Product/Product/Product/Product.
Main quotes:
It coincided with the first Domino of a new revolution for a set of rules that we still use today to make music. Sly was at the beginning of the multiple recording, like the idea of being a “bedroom music”, and he did everything yourself-Stei Wanir Prince and Todd Rondgrin and all of these geniuses do all the work themselves. He did not hear it before his session. – Ahmed “Questlove” Thompson
[On Sly’s early days as a radio DJ in the San Francisco Bay Area]: It is such a character that Robin Williams played in it Good morning VietnamLike that morning that morning, “What is it, cats and cats? [being paid for those]. He is making wheat ads and Tidy Bowl commercials. No one was such a man. What I realized is that Sly was a kind of seed cultivation and growth, grooming, and raising the first generation of counter -culture because these 11, 12, 13 -year -old children with a AMTe To James Brown, where he presents them to Motown, these teenagers will [become] Gulf Hibiz region. – Thompson
In my opinion, I think Black Genus is just the ability to see another day, which looks like Hyperble, but I promise you that we are all half an hour away from making the wrong life decision that will immediately put us in this position. Even in making this movie, I must put myself in this category. Life then Oscar [win, for Summer of Soul] It was a 12,000 percent transformation, fortunately you were in the context of the mind, with treatment, etc., to preserve it. So for me, with this movie and other subsequent films I do that have similar topics, I try to plant seeds in artists to learn to get out of their heads and get more harmonious to what they feel inside. – Thompson
Click on the video above to watch the interview.
Studio for the deadline in Sundance presented by Casamigos
