Rajkumar Hirani, Shoojit Sircar Board ‘My Melbourne’ Sequel

The cooperation of the famous Indian Australian films “Melbourne Baladi“It is preparing for the thirty, as it combines another wonderful collection of Indian film makers to continue the project’s mission of building the cultural bridge through cinema.
After the release of March 2025 of the first movie “My Melbourne” – which slices appeared directed by Rima Das, Onir, IMTIAZ Ali and Kabir Khan – Mind Flowing films revealed that Rajkumar Hiraniand Angali MenonShoojit Sircar, and Helmer Onir returning to direct the next second chapter.
The original “My Melbourne” selection has tackled the topics of identity, sex, race, sex and disability, and gaining cash praise throughout India and Australia.
“The success of” My Melbourne “was very overwhelming and satisfactory.” “It has proven that the stories that are listed with originality and heart can go beyond the limits. We are honored to have some of the most filmmakers in Indian cinema giving their voice and their vision to the second edition. This project still represents a celebration of inclusiveness, cooperation and creativity between India and Australia, and the project gave us the opportunity to work with creatures that represent what it represents.”
The new director’s list combines some of the most socially aware of Indian cinema. Hirani, the director behind the beloved strikes such as the “Mona Bahi” and “3 stupid” series, expressed her enthusiasm for the opportunity to tell cultural stories.
“I am really excited to be part of a project that uses cinema to explore various human experiences while linking two pulsating cultures,” Hirani said. “Melbourne” provides a rare opportunity to tell an intimate, global and cultural story.
Menon, known for her exact images of family dynamics and relationships, including “Bangalore Days” and “Code”, believes that the project is in line with the sensitivities for telling stories. She said: “The topics and the intention behind” Melbourne “are deeply in line with the type of stories that I like to tell – those that build sympathy and bring people closer.” “I am glad to cooperate on this stories journey across continents.”
Sircar, whose film includes social works such as “Pink” and “PIKU”, emphasized the global nature of local stories. “The story of the stories do not know the limits,” he indicated. “My metlourne” is a significant initiative that reminds us of how stories rooted in local contexts can have global importance. I am grateful to be part of this cinematic dialogue through cultures. “
“Return to the second chapter of” Melbourne “is similar to a return to a story that is still revealing. The opportunity to work with new topics and voices, with a continued journey that I believe in strongly is really rewarding.”