‘Sacramento’ review: Reuniting, awkwardly, on a road trip

From the “Road To” series through the Perlisians, the male friendship as comic feed was a continuous clouds, it increases the increasingly not maturity as venting. The stupid Smart Plus has hated intelligence, even stupid hair everywhere.

It has become exhausted recently to watch the cultivated men turning into laughter, which makes the actor who turned into the great director Michael AngranoAn old comedy in the crisis “Sacramento” is a sweet kick and bitter. The film explores what is funny – and is terrifyingly honest – about being in adulthood.

Anjrano, who wrote the script with actor Chris Smith, plays the role of Ricky, the lucky happy Manchester who appears at the Los Angeles of Best Glenn’s house, who plays him Michael SeraTo persuade him, it’s time to deeply hang out again. This unannounced visit occurs after we just taste who is Galin: a loving husband but he is nervous and in need of his pregnant wife, Rosie, who plays before Christine Stewart With such deadly marital sobriety, it is a major group of daily tolerance that is subject to true love. (With Glen, it is clear that she had opportunities to do some prior delivery.)

Ricky prefers to wander around a longing tour to nostalgia for laughter and revelation – he even found that Chrysler Lipparon Tan, who used to ride. Glin hates returning back, and less than indulging in the personal dodges he goes beyond because paternity is waiting. Immediately, Angarano and Cera are completely identical (MIS) with a skilled job with the current in the embarrassing reunion. Ricky’s energy is not harmful but it looks in mysterious circumstances due to the unparalleled expectations, as is when it is gently recommended: “Reducing, did not say anything funny.” Meanwhile, Glenn’s position is his disturbing mask. He loves people to mention that he keeps his phone silent “to stay present.”

Nevertheless, he relieves stress when Ricky finally opens from his father’s last death; He wants to roam Gilin on a trip to the city of nickname for the spread of ash. Glenn Inciesces – A real adult supporting someone in need, after all. But we know something in full swing when, away from the eyes of Glen, Ricky quickly empties the tennis ball and fills him with dirt on the side of the road.

For a good period, a muffled laughter in “Sacramento” stems from the eccentric clash of the priority and mood of a specific type of forgetful males whose social skills are strained. Whether that is in a fake screaming or with women or trying to put a psychological on each other, no one really knows what is fun or shines anymore. They are just rings on the overwhelming weight of imminent responsibility. Ricky, all the forced smiles and the well, wants to make his way to the happy frequency, while Glenn, who is not appropriate of unprocessed confidence, speaks to the illusion of controlling his fate.

But when the real Ricky dilemma is detected – an abandoned relationship with an old moon (Maya Erskin-The feeling of humor also turns into a scary study, and even somewhat scary in self-deception. The timing of salt, film, and inverted spirit is a patriotic treasure. Fortunately, her real husband (Angarano) appreciates this and is wonderfully requested for the reason that the dose of her personality is meaningless from the inhabitants of the third verb must be the loyalty required to bring “Sacramento” to an abnormal conclusion (but not less fun).

The film is also smart enough to admit that its women are not there to save anyone, just to remind these goodwill men about overcoming themselves. The thorny comedy of the collapse of the male character gives way to wisdom, which is something that Sacramento has in abundance.