Taylor Swift’s Master Plan | The New Yorker

Later, Tumblr’s post may be one of the most important things that Swift has ever written. She has all the characteristics of Taylor Swift’s good song, evoking a picture of an innocent teenager who entered her head, and men intend to exploit her. While her ancestors struggled to make their fans interested in the internal work of the music industry, Swift created a realistic story, everything was about a reason she deserved to possess the stories that she told. These are not just stories: as previously previously He said Traded stoneBraun and Borchetta are “two very rich and strong men, who use $ 300 million of others’ money to buy, such as, the most group of female works.” When she announced that she would rename her first six albums – which enhance her on copyright for new paths – many received that the plan was a work for feminist reclamation.
Over the past few years, Swift these albums that have been recorded, one at one time, were released with an unpopular arrangement. Each one, attached to the phrase “Taylor’s version”, was ridiculously successful, which was adopted by both fans and critics. Perhaps most importantly, these versions have created a virtuous way to listen to Swift’s music. Fans refused to flow old tracks; Radio stations are committed to playing new stations only. “Whenever Taylor re -recording a new path, bee replaced old versions immediately,” said Tom Billan, the chief programming official at iheartmedia. Taylor version From every path. Last year, a video It came on my Instagram extract. “Taylor’s version” means no one steals her albums, “told a little girl her sister, where the two sit in the playing room.” And Meanie Bug, who stole her albums is Scoooter Brahms. “
“Not Prams,” the other girl says. “Brown“
The paradox is that, at this point, Brown no longer owns the masters of Swift. In 2020, he sold them to Shamrok Capital, a special classification company for the family investment office of the Disney family. However, Swifties continued to refer to the original albums as “Scotter versions”. The enemy is no longer just Brown, but anyone chose old songs on the new. Several months ago, I saw a virus Tikhak A girl wears a equal dress in a state of event to “We are never come back” from Swift – until she realizes that something is great. A choir strikes. Her eyes are swollen. “It is not a Taylor version!” Scream. The video contains 3.4 million likes, and the comments section between sympathetic Swinat and informal listeners are divided. “I will reject dance/singing or even my head if the Taylors version is not,” one of the users wrote. Another asks, “Isn’t it. For the most devoted fast fans, this was like the question of whether the day of Columbus was the same day as the original peoples.
In March 2023, Swift took a women’s cruciate campaign on the road with Trend TourA tour of the highest tour of all times, which made Swift the first musician to become a billionaire in the first place on the profits of music. The tour, inspired by the Swift’s RERECORDING project, was a mixture of direct performance and direct promotion; In some shows, the next Taylor version was disturbed, as she sent fans madness about the possibility of hearing new old music. Late last year, the thirty -six -year -old tour ended. It is strange that two albumsrecordings – Début artist and “stunTation” – has not yet been released.
None of the album is likely to be released. Last week last week, Swift announced that it had concluded a deal with Shamrok Capital to buy its masters. “All the music I made at all … she belongs now … for me,” she wrote in a letter on her website. She wrote in a letter on her website. While this first message, about the Braun purchase process, concluded with a “sad and sad” expression, this holder of “Eldated and amazed” ended. The RERECORDING era has ended. Meanwhile, Swifts celebrated the re -introduction of motorcycle versions, which are also now Taylor’s versions, again to their lives. Quietly, they began to admit that it might have never been re -registering it great.
Everything was promising at first. In April 2021, Swift released “Fearless (Taylor version). It was launched by the original “Fearless”, from 2008, to international fame and gave us the “Love Story” and “You belong to me”, which is still among its most popular songs. Swift won the first Grammy, and the MTV Video Music 2009 Award. (This represents the beginning of her hostility with West, which boycotted her admission letter to the announcement that Beyonce was the legitimate winner. The paths recorded are loyal to the original. Some seem as if they were simply reformulated. The mixture is more clear, the tools are more clear. As Michael A. said. Li, a music professor at the University of Azusa Pacific, Entertainment weeklyThe piano has moved in “Forever & Penerate (Piano version) who appears to be” straight, almost Honky Tunk “, until it looks like a big. In “Change”, solo guitar is less distorted. On everything, he told me, the album is a new version of the original – a difficult task technically.
The main difference is the Swift Singing quality, which has improved significantly in the thirteen years between the initial version and registration. On the original, it looks fast, fragile and nervous – it can be understood, as it was only eighteen. But on re -recording her voice deeper and complete. I was not a great admirer that the original “you belong to me”, because I felt as if Swift was often speaking. The pre-edge team was distinguished by a ridiculous line “She Cheer Captain and I am on the ovaries”-made by delivering it. But in the Taylor version, the line is more melodic, and it is more clearly cursed. (Likewise, in the album “1989” that was recorded, it is finally possible to know that Swift sings about a “long list of ex -lovers” instead of “all the only Starbucks lovers”.
Some words “fear” are almost astonishing. Others seem to be mature after their years, a sharp feeling when listening to the Taylor version. In general, there is something that touches on hearing a quick return that is older than her first songs. After she recorded “Never Grow Eng”, a song on “Speak Now” I wrote in late teen, fans have downloaded videos that link two copies of the path together. One of the listeners wrote: “This completely has the feeling of a younger sister and older sitting next to each other on the wooden bar on a small stage with their guitars and only aimed at their microphones.”
Reconsidering the “fear”, “Swift”, was “more satisfactory and emotional than I imagined.” It was an important evidence for the concept. The album went to No. 1 – which is the first time that the album that was recorded the plans – and was the largest sales week for any rural album since 2015. Many fans were subjected to its early premiums for the first time. I discovered what is now one of the favorites, which is a deep pieces called “the other side of the door.” When Swift played the song as a surprise on the Eras tour, a wide smile smiled when the fans seemed to know every word.
After “Fearless (TV)”, there was a lot of excitement about the upcoming REECORDINGS. But the following two, “Red (TV)And “Speak Now (TV), they were much worse in quality. Part of the issue lies in the spirit of the original albums: although both were “without fear”, they are more melanamatic, the way in which a moody teenager in her bedroom can appear too much, some songs seem very difficult, as there was something that is difficult to scream. Anxiety. She concluded before the release of “Speak Now (TV), if not, then that was somewhat worse.