Music critics have spent yourself-most of the past few years in declining “E” events in music: there are no new stars to the crown, no more dumbbells to unite us, and no more visits that can receive our attention more than a day or Two days. In many ways, 2024 provided a correction of the course for this narration: Taylor Swift continued to control the plans and in culture; Charli XCX was converted into a world star by “brat“And For months Between Drake and Kindrik Lamar It was not the mere success of crushing in “not like us”, but the epic of pop cultures, whose repercussions will certainly extend to next year.
I gave birth to a child at the beginning of this year, which means that I found myself grateful for a single workpiece that continued: the dominance of the individual. There were “Short N’s Sweet” albums from Sabrina Carpetter, but within a year when my attention was particularly broken, I consumed a new song at once. Here are some favorites.
“I love it.”
Camilla Capello, includes PlayBoi Carti
Women in pop music had a historical amount of fun this year. Camilla Capello’s latest album, “C, XOXO” was highlighting my appreciation. The axis of the record is “I LuV IT”, which is a strange and active path that lives somewhere in the long tail of the HyperPOP wave. (Many have speculated that some of the stylistic gestures of Capello, like the feverish choir, “I love it, I love it, I love it, I love it,” even if it is a debtor to Charley XCX, or at least in conversation with. “brat.
“Million Child”
Tommy Richman
Sometimes songs quickly explode warp due to some marketing plans in the tumant industry. But sometimes, as in the case of “Million Children” – which apparently has become overnight – an irresistible song. Richman, twenty -four -year -old from Virginia, released music independently since 2016, but there is a “million dollar child” reason that made the spray he did. It is a re -visualization of the southern hip -hop, which was mixed with rhythms and sound slopes of R. & B. and Soul, and is delivered with the perfect bumper of a small white young man who collides with the separation line between celebration and seizure. The low fans, which is crushed from the victory and the high -ranking, was set to a unique frequency so that everyone was happy to hear, over and over again, and again.
“Competitors”
Trent Razzinor and Etikos Ross
Luka Guadanino was not able to walk on a “competitor” of “competitors” – a sporting drama with dangerous comedies, and the wonderful love triangle – without the work of Trint Razzinor and Etikos Ross, who presented the epic result of the film. The film opens on the tennis stadium during a high -risk match between the two male threads, and after a quiet minute of play, the title course begins in Reznor and Ross, in an ideal coincidence with the maternity. It makes the introduction of an and unforgettable settlement, and the pairing is ultimately more successful than any of the romances in the movie: The Union of Techno and Tennis.
“Plutosky”
future
Before I gave birth to my daughter, in January, we promised and married to each other, we will be a kind of family where a lot of music is played. We had good intentions, but in reality, the child’s nap table did not provide great opportunities to listen to music. My daughter has a rapprochement with Jingles, and her favorite “song” is the starting noise to start the Netflix application for a second. So when it seemed that, in seven months, she was calling “Blutosky” in the future, and she shed light on its release in September, “Mixtape Pluto”, it looked like a victory. The song is an ideal future, stubbornly in the artistic situation that he knows better: it is full and does not integrate on a evil rhythm. My daughter responded to the way I imagine that the future will like it: with a very little bounce and loose vibrations from her hands, a shy step of lack of attention proudly.
“Not like us”
Kindrik Lamar
This blow, which ends at the end of the beef, Marvell meat was unlikely: the path of the West Coast was shift with a challenge to the national anthem, a club club registered by angry intellectual, and angry and dense Diatr – Diatribe with an indifferent hook. Produced by DJ Mustard, one of the most influential rap producers in Los Angeles, picks up the rhythm finger-signing the West Coast-pride and regional identity and makes an implicit excavation on the continuous style of Drake. It is not exaggerated to say that this song changed the course of the history of music. Moreover, it is still interesting to listen to it.
“The Poets of Poets”
Taylor Swift
