Agatha Christie AI class? The bestselling novelist deserves better

There are very few Registered interviews With Mrs. Agatha Christie, the best -selling novelist in the world, and generally recognized the Doyenne of Crime, for one simple reason: I hated speaking in public places.
She often described herself as a famous manner – she was affected for days when celebrating the tenth anniversary of her playing “Phosphate Cyt” She asked her to deliver a speech-and-keeping unlike the press after the leake of the media, which followed her famous disappearance for 11 days. (Despite the defense of the press, what one can expect when the prominent crime writer disappears for about two weeks in the midst of the broken divorce, then, when it is found, refuses to explain what happened?)
in Her biography, Through her literary incarnation, Ariad, Oliver, Christie often described great pain to avoid speaking in front of people, which (Mrs. Oliver), in particular, hated questions about her writing. “I never know what to say,” Mrs. Oliver was crying, echoing the feelings that Christie herself expressed.
So when BBC Maestro announced, at the end of April, it was Launching a digital category Where Christie from Ai-RESERED provided writing lessons, it was difficult not to get angry. Do not care about “I see the dead people”-everything; Here she was a woman who was recorded, several times, and often great, about how she was neglecting to talk about how she did what she did in front of a group of people.
Creators from the series clearly expect such anger. The introduction to the CEO of BBC Maestro Michael Levin and the grandson of Christie James Pershard, Chairman and CEO of Agatha Christie Ltd. , Explaining the care that was placed in the chain. The text, we are assured, strictly depend on Christie’s own words; The actor (Vivien Kene) was chosen after research for a year and a half; The group (a library includes a model of the typewriter of the Written machine of Casti), the outfit (a tuber suit is a pearl suit, a brooch and a repetition of Christie’s engagement rings and wedding parties) and hair models of originality.
More importantly, the course has full support for the family. “At the heart of this project, my father knew Agatha Christie is better than anyone who lives,” says Brehard. “Sometimes he was amazed at the extent of his grandmother’s similarity in this version. My opinion,” he adds with a fairly difficult air, “If he can enjoy this project, we all can enjoy it.”
Agatha Christie signing French editions of his books, around 1950.
(Hulton Archive / Getty Images)
challenge accepted.
Taking into account, the magic of Christie with a camouflage technology and advanced technology, as well as a passage in her CV in which she hopes a friend will flounder with more confidence as a substitute during the author’s interviews, put my fears aside and exceeded $ 89 for two and a half hours.
It is very respectful, I found myself, in more than a few points in the 12 sections, and I want to scream.
We meet Christie Ken behind an office, and there remains, smiling and gesture as she walks through her ideas about her craft (including, at the forefront, hated it to present it).
The Cristian CV is the doorstep. Ideas about writing, her characters and professional life are going through, but they rarely address more than two consecutive pages. Christie Mark Derridge’s historian has done a great work in his mining, in addition to other writings, to create a real educational program with a wonderful text.
Yes, Christie gives an typical Anodyne Tip – write what you know and the type of book you enjoy reading – but it is also very likable. The mystery of the killing is the best in 50,000 words, the murderer and important clues should be presented very early, and the settings should be described comprehensively but economically (“sometimes the map works better”) and one should never surrender to an editor that cocoes cocoa as “Coco”.
In the parts that include “characters”, “conspiracies”, “settings” and “clues”, Christie evaluates some of her works. She came to believe that her first book, “The mysterious issue in patterns,” He was exaggerated with the plot, but he remained angry at those who claimed that the “Roger Akroid killing” was cheated. She wished that Herso Boirot had presented as a younger man, and she was very happy to give up Hastings for a while.
The importance of observation in daily life discusses, describing, among other things, how a meeting in front of a store window led to one of its stories in Parker Pine, as well as the benefit of isolated environments (“Snow can also weigh the phone wires”) and the second (or third).
In the opening minutes, it is good to see a very similar to middle -aged Christie, smiling and speaking in its very British way (the sound is not accurate but close enough).
However, there is no fading from the fact that this is a two and a half hours lecture, which a woman sits behind an office, except for the very few hand gestures, never moves. The camera moves, releases it from this angle, and sometimes it wanders in different covers of Christie’s books. But Christie’s body is still as much as it is like the late Queen Elizabeth II who received the title of Christmas.
I started to feel very anxious to Kane – what time does this take? It performs a loud expressive performance and gives the necessary intelligence, intelligence and kindness. The same face seemed fine – a little glow sometimes and merged around the eyes – but soon she wore modernity. I was going to circulate happily what is basically a salon trick for Chrisi who woke up and wandering a little. Eat a cup of tea, and face with a notebook.

The actor Vivian Kane’s voice and his face were changed to create the similarity of Agatha Christie.
(BBC Maestro)
I realize it turnAnd I had to wander in one session. But with the first hour to the second, I found myself longing for someone, perhaps, most likely, for the wonderful Kristi’s wonderful biography on a larger scale and creating a full play from one woman. An evening with Agatha, free of artificial intelligence, which Christie can remember about her extraordinary life, from her glorious Victorian childhood to her last years as a storm of effects.
Although he is known as the creator of the killing story in the palace’s house, Christie was, as his books indicate, a fierce global traveler, learning how to ride surfing before surfing was something, dealing with adventures and wrong adventures (including honeymoon journey for 14 hours by camels and a frightening state of bed insects on Express Express) that give even more travel in travel.
She lived through two global wars, and witnessed a largely unexpected success and a deep personal loss. She endured a tragic divorce and a nervous collapse, while raising a daughter and writing books, just to gather again and find love again in the most unexpected places.
She was not a saint – her work sometimes included the racist and hostile Trops of Semitism and the classics of its time – but it was rational for fascism as much as its political contemporaries were more and believed, as she says in the course, that she lived in a contract with her readers who respected the utmost respect.
She was one of the celebrities who never behaved as celebrities, and an artist who never admitted art (and wrote his books on any fixed surface, including orange boxes and frauds), a novelist who is not another who also did not write the longest play in history and his work continues to sell while adapted to cinema and television. Her contribution to culture literally is not forgotten.
Certainly it deserves more than just a cycle that makes the news mainly because of its use of the dreaded spontaneous organization. It is Agatha-Cristie. Give her a movie, series, play. Give her an actor worrying on the face and more words, and the life that inspired them.