When did you stop rooting Joe Goldberg? Have you ever roamed him? Who is Muslim in it, “You” – Netflix series, which concluded with its fifth and last season – was never in the corner of Joe, with Star Betley firmly reminder Fans from the first day, which was not a person’s atmosphere. But there is nothing about the man who keeps viewers back to more.
It is certain that it is fun watching a serial killer and deceiving on its way through a problem after the problem – America has border limits Unhealthy installation on serial killersAfter all – but there is something else about the atmosphere that keeps us linked to his novel. The internal monologue that runs it for him by revealing us apparently from the weaknesses and insecurity of the public. However, with the extension of the offer from one season to five, it became clear that Joe will never change; Monoluj was simply the story of its weaving for himself so that he could continue to indulge in his worst motivation.
When the first season of the show was shown for the first time, I initially found value in the voice of the tormented atmosphere. despite Criticism Among the initial photography of women for women as unilateral characters who served only for more Joe’s novel (wrong that the show sought reform, with various results, in subsequent seasons), with the fact that the show gave us a window to feel sympathetic to what society considers in a non -cancelable way. It was not Joe Dxter MorganIn an attempt to capture his violent pulse by targeting people who deserve death. no. From the moment we met, Joe Goldberg was a murderer, killing the same way through the entire Guinever Beck support system as “Love”.
(To PBUH) Charlotte Richie in the role of Kate Lukwood and Ben Badlie in the role of Joe Goldberg in “You” (Clifton Prescod/Netflix).
Joe Goldberg maintained the status quo of his original internal narration, did not learn anything, and did not change anything.
Through raw internal monologue, “You” challenged us to sympathize with a man who is fighting a losing battle with his mind, and faces the fact that you are open and honest with destructive ideas. Because the viewers felt that Joe was trying to change, they kept giving them opportunities. (Hi, I am. I am the problem.) As a processor focusing on addiction treatment, I felt an atmosphere, stuck in its inexpensive patterns, and initially wondered whether the offer would allow him to grow with his novel. In fact, I was actively hoped to change. Perhaps he was depicting his devastating ideas at some point and asking for help? Perhaps he was hitting the rocks at the bottom and working on its way out?
Unfortunately, Rock Weber never came to an atmosphere until it was too late. Over the course of five seasons of love and death, Joe Goldberg maintained the current situation of his original internal novel, does not learn anything, and does not change anything, and lying to both himself and the viewers. Even in the fourth season, where he was trying outwardly a new start as a professor in London, he (and his alternative personality) killed more people in the previous two seasons combined. Joe’s mentality is the first person in the labor level of dependency Behavioral addiction. It highlights all his romantic tangles as if they were the antidote to his unbroken shocks.
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To anyone else in “You”-Niverse, Joe is just a handsome man looking for a love that lasts, but the internal Monolus, in all his gray shadows, drew a different story for viewers over the years. As much as a desperate atmosphere wants to believe that love is the motive for his actions, he is not really looking for love. Instead, the behavioral pattern that raised his life as a child and his lack of meditation is not aware of meditation Inner women hate He leads him to a cycle of pain and suffering for him and his victims in the end. ((Freud It was possible for a field day with the mother’s atmosphere and problems, I am right?) The atmosphere of love is used as a weapon to exempt himself from his worst motives. His real addiction is to maintain control. And when it loses control, all the bets are suspended.
With an atmosphere always passed to the ideal woman in his mind, nothing he does is his mistake.
For five seasons of “You”, Joe Goldberg killed dozens of people and participated in it Deep relationships With six women, two of them married. Until the end, the atmosphere does the same, over and over, and expects different results. He indulges in forcing him to escape his discomfort, and he continues to constantly blame his current attention. In this way, he cannot be responsible for his wrongful actions. Oh, have you named a friend? Well, Beck really did it because an atmosphere was forced to keep her safety. Oh, Greg Kenner, eh, Tom Lukwood, suffocated to death? Of course, it was only to help Paramuor Kate escape from her father’s evil clutches. With an atmosphere always passed to the ideal woman in his mind, nothing he does is his mistake.
(L to P. Pens Badligi in the role of Joe Goldberg and Frankie Dima in the role of Henry Goldberg in “You” (from the Steflix)For this reason, when his love turns – which he always does, because even when he communicates with a partner he wants to wrap a little (see: Love Quinn, Kate Lockwood), he needs to eliminate it. When these women go to leave him after discovering his tendency to violence-in light of the same circumstances his mother left when he was a child-he strongly holds the idea of love for as long as possible before he came out in the violence that is fueled by anger. Joe always blames his medicine (his lovers) because of his pain, as he attacks these women as if they were the root cause of all his problems; As if killing them when they failed to provide a dose of love required, it will calm the turmoil inside it. We see this play for the last time in the conclusion of “You”, where an atmosphere begins to realize that his last lover, Bronte (Madeleine BrewerIt turned it forever.
While Bronte Joe faces the threat of weapons in the middle of a steam saturated confrontation, he was literally neglected with his pants. However, even while staring at the barrel of the gun, it houses the imaginary hope that he can doll this relationship to life. The internal monologue tubes of the atmosphere, saying enthusiastically, “In the law of epic romances, they respond from the return of weapons points, in practice, it is an essential component.” He still wants us to think he is looking for love. He wants desperate to believe it too. After that, while Joe and failure to get rid of Bunstin’s feeling in an attempt to restore her emotions, he realizes that he lost control. The voice of the inner atmosphere begins in calm, “I was fake. He put a lot of faith in love. All he wants.
Penn BadGley in the role of Joe Goldberg in “You” (Clifton PresCOD/Netflix). In this final sequence, we see the real atmosphere, the man who does not appreciate love as much as it requires control. He says the same to Bernte, as it faces in the front garden. “I made you special!” He screams in Bronte, and his inner pain is evacuated before chasing it like an animal in the forest. It is possible to discuss that this version of the atmosphere – the murderer – is real, more realistic than the inner monologue that we hear during the series. Many others have obtained an opportunity to see this version from Joe while he was detained inside his cage (or, in the event of love, with paralysis in its own name). In these moments, he often behaved with the pretext of love and simply wanted to see that, with all his disciplinary disadvantages, by another person. This level of weakness is too much for an atmosphere, so it’s no wonder that most people who see this way end up. But not all of them. Bronte ends up surviving and once again carrying an atmosphere at gunpoint while asking her to kill him so that he does not have to face the fate he deserves. She does not kill him, and the last policemen in detention.
The final errors of the viewers come when justice found it. He was closed for life, he picked up the old confrontation mechanism, separated by escaping to books, as he got angry at home. Not in himself, of course, but we have, in society as a whole, to allow him to reach this point. It has lost control, and this is our mistake. Years after trying to persuade viewers to allocate their loyalty to the unpredictable murderer in the midst of his story, “You” play a small, enjoyable trick for us with the final internal monologue, and finally give the viewers to see the real atmosphere: When one of them tells you who they are, repeatedly, you may believe them.
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