Photo photos: Eagle
With this feature of this year, we ask to reset. It was widely established at this stage that YouTube Eating podcastwith Ticket on Ticket This indicates that the statute is now the favorite distribution point for the masses everywhere. As a result, YouTube re-identifying the video ecosystem on video, a transformation that is largely a certain type of programs-interview and chat shows, usually a media environment where the audience primarily connects the word “podcasts” by embodying its video, which is likely to be sorted first to the word “radio”. What deserves, YouTube In general, it determines “podcast” As “fictional eye content, which is considered transverse and organized within the operating menu”, which, frankly, does not really help.
But I don’t think we are there yet. For our purposes, I am still trying to try the difference by looking at the entire bowl, and because I am governing my own melodies and my historical experience with podcast as a sound method in the first place, you will find that I will be somewhat directed when I manufacture this list. (Currently, anyway.) This is said, I am excited to turn podcast into the video and its increasing impact on the wider culture; For better or worse, our society is increasingly defined Joe Rogan experienceand Call her fatherand Tea tea cluband so on. (PodCaster is this country New Deputy of the Federal Investigation OfficeAfter all.)
To go forward, you may see this list defined with a kind of division: a mixture of what I think is a great audio action and what I think is particularly interesting moments of video podcast. As an example of the latter, I was included The appearance of Timothy Chalamite on At the end of last week with Theo iPhone Due to its impact on how we understood him as an increasingly prominent star, if it appears for the first time after the new year. Unfortunately, he decreased in mid -December. In the opening repetition of this list, you will only find sound choices forward. But this will change soon enough.
At some point in 2014, the radio producer, Zach Mac, bets a bet with his father – an elderly man who believes in conspiracy theories such as terrorist immigrants, electromagnetic impulses, societal collapse, etc. – that if none of his major predictions happen on the Day of Resurrection at the end of the year, then the man has more than 10 thousand dollars. The maneuver is a playful proposal or a proposal, but it is also a quietly desperate piece of the son who tries to do his best to see if his father can be recovered from a kind of madness very familiar today. The series resulting from three parts is as great as it is painful, because what appears is a picture that sweeps a family in a crisis and hopes for what the existence means in a world where we cannot really live with each other.
I have a lot of time for Ian Cos and his team is a collaborator in WGBH after 2023 Great drillingThey took a large company in Boondogge, a highway project in Boston in Boston for a long time as a child’s poster for government fragmentation, which has already turned into a very success, and used it to tell a greater story about the US infrastructure policy. with Scratching and winningThey deal with the legal gambling in America, a phenomenon that has exploded in every cultural place only recently, and they do this in the way it hopes: by operating it through the story of what they call the “unlikely height in the most successful lottery in America”, which of course happened in Massachusetts, where state officials face with the organized crime in the seventieth in the seventeen match.
Some of the best cultural criticisms in the classic podcast format of the conversation associated with a specific line of dismantling investigation, to the point that in practice it is a real kind and movement: Know your enemyand Maintenance stageand If the books can be killedand It looks like worshipand Regimenand Better in non -contact modeand Culture studyand You are wrongand so on. Add another to the mix: The bad therapistand It was hosted by a psychotherapist AH Compton and journalist Rachel Monroe, with producer Zoe Corland. It acts as a kind of response to the contemporary height of treatment and treatment as a cultural aesthetic instead of the discipline that it moves scientifically. Each episode sees that Compton and Monro are interrogating different expressions of treatment in the wrong way: fraudsters, teachers, teachers, and conversion therapy.
Something something curious occurred at the top of 2025: There was a surprise set of reports from places such as Economicand New York Timesand Wirelessand ConversationAnd Admiration About “fraud vehicles” in Southeast Asia-the giants that resemble prisons are exposed where people are exposed, and they are often victims of human extremists, due to inhumane conditions where they are used as a method in a giant process to send millions of texts and digital messages that try to store people all over the world from their money. Of these, Scam Inc. , from EconomicI am surprised as the most regiment, with its most severe scope and its ability to clarify a network of corrupt systems with greater access.
Last year, the LTCA producers, Rūta Dambravaitė and Inga Janiolytė-TemPorin, created this 50-minute piece for LRT, the national broadcaster in their country, which tells the story of Vitalius and Albinas, a couple of the same sex that had to pass from the father and son for decades. “Exodus” is a personal history of a common life forced to survive, especially under the power of the state. Homosexuality has long been under the Soviet rule, has not only been legal in the country since 1993, and the current democratic state still does not recognize sexual unions to this day. This piece, which is characterized by the couple, publicly talks about their union for the first time, attracted a strong public response in the country, and won Prix Europa European Voice Documentary Documentary Award-a big deal in the region-in 2024. Earlier this year, the Atlas of Radio, the stories of radio that number nearly a decade of English from all over the world, released a copy of its website with a translation by Vaida Pilibaitytė and Justinas šuliokas.
