Of all the phrases that can start a light -hearted moving movie, the prayer of the unknown alcoholic addicts is definitely among the least likely. but “Colors inside“Who opens with this declaration to God to give” the serenity to accept things that I cannot change. ”It is not an ordinary animation. Noko YamadaWhich was created by a series of anime works (“K-on!”) And films (“Silent Voice” and “Liz and Blue Birds”) as one of the most distinguished current voices on average. Suitable comfortably with its focus on the hopes and youth desires, the triple film follows adolescents where they make up a dedicated rock band, giving up their personal lives with a low touch and refreshing passion.
The prayer mentioned by Tutsuko (Sayu Suzukawa), a student at a Catholic high school in Japan. Since her early childhood, she had a unique form of storage as she repeatedly sees that people are emitting of a specific color, which is visually transferred by Yamada in a style -like style. One day, a particularly vibrant blue notes for her colleague Kimi (Akari Takaishi), who suddenly falls from school. When they re -call the used library where Kimi works, they meet RUI (Taisei Kido), a young musician who causes the bright green Hue to the composition of Totsuko to rush a band with her new comrades.
Although Kimi is a self -guitarist Kimi, Tutsuku is barely known how to play piano, the trio is divided regularly in an abandoned church on the island where Roy lives, after collecting a wonderful collection of musical equipment to increase his impressive game. These training sessions interfere with family problems: Kimi did not tell her grandmother after she left school, while Roy’s mother wants to continue in family medical practice.
In another movie, even one of this director, these narrative rhythms will take a large amount of oxygen. Yamada, which started as official drawings of Kyoto Animation, may be known in the United States for a “silent voice” feature of 2016, and which narrated the story of one of the young man who calculates his past as a bullying, with emotional and emotional disorders that were spilled in her group throwing from the tormented teenage bishops . Until 2018, “Liz and Blue Bird”, her most beautiful movie so far, works with a quiet intensity that has reached the depth of the feeling in its mysterious central/infinity relationship.
“Colors inside” is the first feature film for Yamada for Science Saru, anime studio known as Masaaki Yuasa (“Inu-OH”, “Night Is Short, Walk on Girl”) and his contributions to the “Scott” series, the pilgrim begins. “While there are some differences in the animation style of Kyoani days in Yamada – more soft edges, coastal colors – the most important difference may come in its general approach to the tone and personality. The previous work disorder is replaced by something more superior, a tendency embodied by the fixed focus on Tutsuko’s view. Although it will be precisely to say that it lacks development as a personality, its transitions and self -understanding are much lower than those in her friends. Take the fears of others at the lead.
This may come more clearly in the film’s treatment of religion, especially in a study environment. Catholic school cloths are largely absent, and Totsuko’s advice is often provided by HIYOSHIKO (Yui Aragaki), a sympathetic teacher highlighting the school atmosphere, rather than the stereotype, for school. Her surround pursuit of serenity reflects her pursuit of Totsuko, and thus Kimi and Rui’s. Although “colors inside” are not aimed at the psychological depth of Yamada’s past work – especially since the nature of the magic of Tutsuko with/gravity to Kimi in particular is declining with the progress of the film – his compatibility with the emotional currents of his characters. Through some of Yamada Zahdah: the repeated closeness that draws attention to the expression of the personality bodies, a “camera” that bounces a little moving inside and outside the focus as if the image was vibrant, and Cutaways in the middle of a conversation to end a scene on an unexpected note.
All of these small touches gather in an unusual uncomfortable concert for 10 minutes, as “colors inside” show that musical efficiency was never the main goal, especially for Totsuko. Although the three songs that were implemented are attractive and move in their own ways, and Kimi’s pioneering singing in particular, the pure embodiment of the relationship of each character to music and each other, is a mixture of lives that still maintain its individual rays. The film ends with an unexpected but ideal declaration of all the feelings in its interactions, and an open kebab with a bright future in sight.
