NetflixThe ambitious strategy of the Korean content occupied the lead center at the continuous APAC exhibition in Turmerer in Tokyo, where executive managers and directors presented an in -depth look on their next list, with a special focus on “”It was lost in the light of the stars“The first Korean animation feature of the platform.
The animation brand, which reaches Q2, represents an important step in the world of Korean content for Netflix, which still continues to build on the global success of strikes like “Revelation”, directed by Yun Sang Hu, Which topped the non -English film scheme in Netflix for two weeks across 65 countries.
Vincent Tuion Kim, Netflix content manager KoreaI talked about the company’s strategic focus on “diversifying this type, in addition to enhancing the value of quality and entertainment” of the 2025 list out of 2025, which extends on animation, romance, excitement, science fiction and verbs.
Director Han Ji Won, who actually joins Seoul, detailed the strenuous journey for five years behind “Lost in Starlight”, which tells the story of “emotionally pulsed astronaut, chosen for Mars, [who] The frustrated music falls with fear of the theater.
“I have always loved animation films that dealt with the external space and love,” Han explained, noting how the project started as a short movie before it developed into a feature with the production company Climax Studio. “The topic of dream, romance and love as well, I realize that all these things are closely related to each other.”
In the formulation of Seoul around 2050, Han described her approach to building the world that balances the future with nostalgia to the past. She said: “We are trying to create a future version of these elements such as” She “, things that are decisive in our story.” Han Garga intentionally high -tech elements such as stereoscopic images against reactionary settings such as Euljiro, a neighborhood known as Joa Al Hanin.
Han expressed optimism about the capabilities of the Korean Korean animation: “Korea has obtained this group of talents … We have a lot of creators who are good at telling stories. I think Korea is a country that has everything to make wonderful animation.”
The exhibition also showed the directors Kim Tae John and Namoning Sun discussing Q3 versions. Kim “Wall to a wall(Also known as “84 square meters”), it explores the central housing anxiety of contemporary Korean society through the Wu Song story, which becomes the dream of dreams as a nightmare due to the mysterious noise.
“More than 80 % of Korean housing in apartments. And 84 square meters is actually the most common size,” Kim explained. “Residential complexes are not just a place where people live, but it is in fact a place where there are different interests and desires for people in conflict and confrontation.”
Kim, who reached the previous Netflix movie “Unlocked”, reached the top ten in 46 countries, from personal experience with noise complaints of its concept. Kang Ha-Neul, Yeom Hye-Ran and SEO HYUN-Woo movie.
Meanwhile, Namkoong’s “Love Undangled” advanced a refreshing change in the pace of its youth in 1998, which includes “the most popular young actors in Korea at the present time”, including Gong Myoung and Shin Eun-SO. The story follows a high school with curly hair designed to admit its feelings to crush it.
“Korean adolescents may have their own dilemmas,” unlike Namoconj. “The world is changing very quickly and I think teenagers are having difficulty moving in their future. We need more joy, we need more love, and we need more happiness.”
Vincent Kim disturbed three additional films closed in 2025: “Mantis”, which is enveloped from the success of “Kill Boksoon”; “Sarah News”, a kidnapping drama in the 1970s; And “Flood Great Flood”, which is “Scientific Disasters”.
This show was crowned with the first global offer ever for “Lost In Starlight” for the present in Tokyo, indicating Netflix’s confidence in the widow of the Korean gender.
