How Topic Studios Shepherded Film to Critical Triumph

As Jesse Eisenberg “Real pain“The weekend of the Academy Awards is heading with two nomination after the season of prize prizes as a decisive lover, it is difficult to believe that the film has been rejected by each one distribution company (a bet that they kick themselves now).

In the wake of the “frustrated” rejection, Eisenberg, who plays a role in the movie alongside Kiran Kulkin, is close to the independent production company Subject studiosIts previous films include “Spencer”, “Roman C. Israel, Ifta.” And “Theater Camp”.

“When we met the topic, it was a great relief, because they loved the movie. They understood that the tone was unusual, and that they appreciated the movie for what it is, unlike its interrogation or the desire to be something different.” diverse. “We were very lucky.”

But Ryan Heller, EVP of the movie and Documentary in Topic Studios, considers himself lucky. “We met with Jesse and the fruit tree team when they were initially looking for the funding of the first Jesse movie,” When you finish saving the world, “we loved this scenario. We had a really wonderful meeting about the movie, and it ended in a different way, but we stayed in contact,” says Heil. “When they were coming out with this next movie, I said,”please Let us know if there is a conversation on this topic. They sent it to us, and it was just one of the best texts that we have ever read. Full stop. ”

“True Pain” follows a couple of strange cousins ​​while they are at the beginning of a Jewish traditional tour in Poland to honor their late grandfather. It is a studied personal study, which are equal, honest and separate parts, so it is no wonder that Eisenberg has risen more than ten victories on the award circle for its scenario.

Founder and CEO Michael Bloom says that facilitating a creative environment to develop textual programs such as Eisenberg is exactly the reason for creating the subject studios. “When the company started, my goal was to support the artists who were trying to really go out and do an ambitious or original work with boldness. This means taking opportunities for people and betting not only on the first extending or the next artists, but even the very well -known people who try something new or different. Among those upcoming ambitious projects” Splitsville “with Dakota Johnson and” Mother Mary ” Hathaway.

In the year in which the majority of films decorated outside large studio machines were made, Bloom argues that independent production allows a purer technical process, free of red tape that sometimes affects larger production.

“The studio business model is completely different. Bloom says that the options they make creatively and financially are completely different from an independent company like our company like our company.” “Since we do not have the budgets made by big players, you are forced to be wise right about the projects you choose, and you should be really clear about the reason you do.”

The topic may not boast of billions of billions like The Big Guys, but a personal touch that saved “real pain” during a difficult uniform. “We have lost some state financing while we were in Poland due to a technical error and a procedural error,” Eisenberg recalls. “The topic remained with the film and gave us more money to fill some of this gap. Unfortunately, we were unable to fill the entire gap, so the film was manufactured for three and a half million, which was less than what we originally wanted. But the topic was generous with us, and we immediately contacted us to tell us,” We still make this movie. We will discover that. “

Heller says the decisive lifting test that was performed only for a more convincing movie in the end. “There is something that can be said about a movie fighting for his life and fighting for his presence while you are making it.”

For this reason, his next conflict as a writer and director, Eisenberg did not hesitate to re -display the topic and the fruit tree. “I have never worked in the studio system as a writer or director, so I do not know what this accurate experience is. However, I acted in many studio films, and I often heard that managers only complain about the studio’s intervention in a way that makes them feel as if their job has become useless.” “I have worked with some of the wonderful scenario writers who call themselves” Typists “for studios, because they are essentially writing. They are just enhancing studio notes. I have never faced this experience!”

Eisenberg will also contribute to the original music in the new project, a musical comedy starring Julian Moore and Paul Jiamati. He says: “We went to the topic first to see if they were interested in it.” This is a movie that was produced for them. My new film is about people who show a community theater, and in the previous year, the topic “The Theater Camp” was carried out. … we had a great experience with them through “real pain”, to the extent that we were happy to work with them again. “

Bloom does not take this faith as a Muslim. “The truth is that Jesse can go to making his next movie anywhere,” he says. “We are able to make the next Jesse movie, for me, a real indication that we are doing something right by artists. I am a little romantic about this, and I seemed a little, but I wanted to create a company by artists, for artists who were really sympathetic to the artist.”