Entertainment

Lady Gaga proves she’s music’s greatest kook in campy Coachella thriller

Lady Gaga seemed to be proud enough to cry.

Among the vast audiences in front of her in Kochilla on Friday night, the pop star, who stopped performing her, stopped the main headlines to receive a small letter-a royal title from the mother and her monster to her loyal followers-from the balcony from the second floor of a deteriorating Gothic structure that she built in the main stage of the festival.

She said to the crowd: “I wanted to do a romantic gesture to you this year in these times of chaos.” “I decided to build you in the opera house in the desert – for all love, all the joy and all the strength that I gave me throughout my life.” She stopped, her long blond hair and the white blond white dress that speeds up the dirty dry breeze.

“Sometimes I feel I went to a dream when I was 20 years old,” I continued. “I have been in a dream since then, and I didn’t know if I wanted to wake up, because if not there?”

Think: Do not cry for me, Cochlla.

This was not the first time that Gaga topped the most famous music festival. In 2017, she intervened at the last minute to replace Beyonce when the latter withdrew after she announced that she was pregnant. But these circumstances mean that Gaga “did not have the full time to do what I wanted to do,” as it is He said Times last year.

I was exposed to this Friday: two hours, 20 songs, and a largest number of fashion changes that Kochillas are tightly permitted, Gaga installed a luxurious scene built this year.Chaos“The album, which was widely received as the singer’s return to high pop after a few years of acting and jazz (and falling).

Will you say that production, which broke into four works and conclusion, carried a coherent story or can be easily distinguished? It will not do it – although the audio comment initially suggested that it have a relationship with two of the two souls fighting to control the soul.

However, the individual pieces were so alive, funny and strange that the story became one about Gaga’s embrace of its role as the greatest coke in music.

For the “Poker’s face”, a chess battle with her dancers was organized as a cut for live games. “Ideal Celebrities” and “disease” made her coat in a shallow tomb surrounded by Anad. For “Paparazzi”, she wore a pieces of Armor Chrome and rises across the stage on a pair of crutches. “ZombieBoy” was a dance number of Gaga Twiring with a skeleton.

The list of new songs mixed with the old favorite: “Mary Bloody Mary” in “Abracadabra” in “Judah” in “Seiße” in German, which included a group of large Quill pens and a last panel similar to dinner. After the eighties of the last century, the “shadow of a man” appeared, which she was wearing as an exciting military officer, and it seems that she discovered her fiancé, Michael Polanski and thanked the crowd “for bringing me, my leg.”

Gaga was backed by a live band and a small legion of the players. It was joined by French DJ and GSAFFELSTEIN, who was working on “Mayhem”, on keyboards to hand the palpits to the album “Killah”. Gaga accompanied herself to the piano in the movie “DIE With A Smile” and “Shalow”, none of them seems to have a great relationship with the idea of ​​the entire haunted opera, but who was following? (Gaga created the latter by remembering that the last time she was in Kochilla, she photographed parts of “Najm Waddat” at the festival.)

Like all the headlines determined by Kochilla in the years since her return in 2018, Gaga’s performance was carefully designed for YouTube live broadcast. There were cameras on drones and cameras on the wires and cameras kept by men wandering back while they were shooting at the chased singer in a long runway linking the main stage with a smaller platform in the polo field. There was even the camera of the dysfunction in the sequence of this cemetery, which rejoiced by the granular images of the rhythmic Jaga that drives the huge video screens surrounding the theater.

But what happened even in the most complex show is that Gaga is still a performance in front of people – a royal assertion of its stellar strength, certainly, but also an effective recognition that it requires people to do all this. She sang directly throughout the show, and her singing was strong and courageous. Among the songs did not make any attempt to hide the joy you could hear through its headphones microphone. She ended her main collection (before welcoming if it is inevitable from “bad romance”) with a new tone that yearns, “disappears in you”, for which she jumped from the stage to pressure the body of the fans against a barrier.

She said: “I may not reach five of each of you, but I can make sure to sing to you,” and while she exceeded thousands of fans, someone handed her a black fake flower. She pretended that he was a microphone and then used it – instinctive and magician, technically without need – for the rest of the song.

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