On a lit blue stage, a naked man-tired, attractive, and mummified-is affected by deer from a pole. Fad and sparkle, resemble the painting of St. Sebastian, Raptos in the martyrdom, or a marble statue of the “Great”. Until this moment, Canadian theatrical writer Jordan Tanihel was intermittently, “Prince Fagot”, whose production by Soho Ray and the temporary theatrical writers, greatly like the British royal family. But here it stops temporarily. The young man in ropes is not just a personality in slavery. It is heroic naked, tension and surrender icon. Kink is very old, it’s classic.
The title of the play works as a useful sorting device, and it is strange for the audience who know the method The mortar has been recovered Or those who are happy with sunscreen in the full sexual panels, organized by the director Shayok Misha Chowdhury with the frank Brio. (If you can sing, “I would like to” want “Prince Fagot”, “Please” at the box office, you are tall enough to ride this trip. The trader may start.
The conspiracy is a future future scenario in reality. In England, in 2032, Prince George (John Macirara) brings to Oxford Dave Shatti (Mihir Kumar) his home to meet and eat a meal with his parents, Prince William (K. His parents are trying to be unprecedented and supportive; The narration supported by the company – “Dev in a good shape through dinner” – sudden and vibrant transfers.
The show actually opens in lighter vein, as Kumar showed us the source of the play: the 2017 image of Prince George, which caused, at the time, at a storm in the tea jug on the Internet. Plash mode, pure pink cotton cloth shirt, beautiful combing hair, and “gay icon!” The Internet announced, which led to complaints that social media was a child. In a preliminary mood, the company of different actors and actors shows their childhood images, some of which contemplate the way the individual’s sexual identity precedes. Then Yanahil discusses them if his entire project is exploitation. “Yes, there is a real child named George, but it is clear that this is not his story. Only he can write it for himself,” says Kumar. “This is our story.”
This royal love story is not a fiction, though. Dave is so intelligent that he does not make mistakes in his relationship with a prince for progress: he is wondering whether his Indian ancestors will feel panic from his closeness to the white British authority, as he arises on the possibility of being a “brown subject”, and he has been caught in the way that his beloved family abandoned to the mercy of normal chewing. (“You know what your parents think? Calleries, we have another Megan,” says Dave George.
George loses his purchase on Dave hostile to fight freshness, and the young prince was involved in drugs and sex takes a self -turn. “When all you knew is the life of formalities and strength, you begin to meet the opposite. The absolute blur of the ego. While George ignores himself at Sex-CEM concerts, the carrier belt that cannot be stopped in the caliphate makes it closer to investment, to stagnation, to the current situation. The exciting surrender alone will not spoil or even disturb the ownership, which requires his binding clothes in an elaborate and scientific scientific presentation.
Tannahill is one of the main writers in Canada: His other plays include a drama for Da Vinci and Botticelli that falls in love, and perhaps his most famous novel was “”Listeners“From 2021, a mysterious story with a mysterious tone only that some people can hear, which he also carried out on the Rebecca Hall TV. In 2015, he published a great statement of the length of the book,”Non -affected theater“Where he spoke to a hundred people about the installation in the form. A friend said that she went out to the theater out of commitment; Tanahil’s experimental tastes (in the book, he cited the capture of Job, Yong Jean Lee, and Tim Echasils as a compromise) leading him to a drama of real drama (EG, Also. Also. From the audience.)
Fortunately, in what the “The Uns tour” theater call “moments of imbalance”, the play is separated from the most varying and anti -Windsor things and breaks its fourth wall. The introduction is a high point, as it is at any moment when Tannahill cuts the procedure to allow the performance to speak on themselves. These can reveal useful or both useful confessions or signs. In a brief, but greatly influencing, Greenspan notes that the practice of an idol-slavery, for example, George is very fond-gay men at eighteen to enjoy sexual accuracy that did not revolve around genital contact, a matter of life and death in her face AIDS. At the top of the play, Stewart, the extraordinary actress, returns the show from the Solki boys by performing Fujingin alone, as it drowns on the ground while its braids revolve around it. Stewart tells us TRUE The princess, since she won the dance title Princess Al -Rassif. “Who is the Divine Important?” Stewart says. “Who God chose here?”
There are some strange rhythms at the time of playing the play for about two hours because Tannahill is, I think, explore a kind of dominance drama, alternating shock (nude scene, violent rupture between lovers) with the care of the subsequent (a nice title for the public). This rotation does not seem to work completely yet, because, as well as possible, he tries to seal his shoes on the obsession of the wicked audience with kings. In this, it is sometimes frustrated by the production itself, partly due to the fact that it is more fun when the ghosts of kings and old queens come in George’s dreams, and partly because you cannot offer a lot of argument against luxury when fashion designer Montena Lev Blanco continues to put everyone in great clothes.
However, tannahill makes us wonder: Why We are Many romantic novels are written on Nablitis? Why do the popular newspapers compare this British family? Our obsession with kings does not seem to be the type of pagan that protects. When applying it along with George’s loving games in bed, the royal rules of the wealthy personality are definitely harmful. George, at least, has a safe word. You cannot say the same about people who live under an counterpart. Through some estimates, a third of the English and Wallisy lands owned by the interested and aristocratic nobles, many of whom have endowed by William Al -Fateh after his invasion in 1066. This is a long time for people to carry the whip. ♦
